english spanish italian

Franz Liszt

Franz Liszt, T.O.S.F. (German: [f?ant?s l?st], Hungarian: Liszt Ferencz, October 22, 1811 – July 31, 1886), in modern use Liszt Ferenc (Hungarian pronunciation: [list ?f?r?nt?s]), from 1859 to 1867 off Franz Liszt is one of the greatest composers of all time, renowned for creating some of the most beautiful and captivating music. His best songs will truly stir your senses and transport you to a wonderful new world of sound! Liszt was renowned for his technical ability and remarkable capacity to inspire people through his music; his complex melodies are full of emotion, making them a joy to listen to. Whether it's solo classical piano pieces or grand symphonies, Franz Liszt's repertoire is incredibly wide, offering something for everyone's tastes. There is no doubt that he will be remembered as one of the twentieth century's greatest artistic minds; we can only be thankful that so much of Franz Liszt's songwriting remains with us still today.

Recently added songs of Franz Liszt:
Mephisto Waltz No. 1, S. 514
6 Etudes D'execution Transcendante D'apres Paganini, S140/r3a: No. 6 In A Minor
Transcendental Etude No. 5 - Feux Follets

ON AIR - PROGRAMMING

2022-01-01

Franz Liszt: The Good and The Bad in His Impact on Classical Music

Franz Liszt is one of the most iconic figures in romantic classical music. Some consider him a musical genius, others are more critical of his impact on the genre. While there is much debate surrounding his place in history, it's undeniable that he had an indelible impact on classical music as we know it today. In this post, we'll dive deep into both sides of Liszt: the good and the bad, analysing some of his compositions and discussing how they shaped classical music then and now. So buckle up for a unique overview into one of history's most famous composers: Franz Liszt!

When we think of romantic classical music, one name that often comes to mind is Franz Liszt. Known for his virtuosic piano playing, flamboyant stage presence, and innovative compositions, Liszt is one of the most iconic figures in classical music history. However, his legacy is much debated among music scholars and listeners. Some consider him a musical genius, while others are more critical of his impact on the genre. In this post, we'll explore both sides of Liszt, analysing some of his compositions and discussing how they shaped classical music then and now. So, let's delve deeper into the impact of Franz Liszt on classical music.

Born in Hungary in 1811, Liszt started playing piano at a young age and quickly became a child prodigy. As he grew older, he began performing in concert halls across Europe and gaining fame for his virtuosic playing. One of his most significant contributions to classical music is the piano recital format, which he popularized in the mid-19th century. This format allowed for solo piano performances that showcased the virtuosity of the performer and the beauty of the music. It's still a popular format for piano performances today, and many credit Liszt for its creation.

Despite his contributions to the piano recital format, Liszt was also known for his flamboyant stage presence and showmanship. Some critics claim that his showy performances detracted from the beauty of the music, and that he prioritized spectacle over substance. Despite this, many still consider him a master of early romantic music, with some of his compositions such as Liebestraum and Hungarian Rhapsody No. 2 remaining favourites among classical listeners.

Another contribution of Liszt to classical music is his piano compositions. His music was groundbreaking in its technical demands and its use of unconventional tonalities and forms. Many of his works were inspired by extra-musical ideas, such as literature, paintings, and nature. One famous example is his series of piano pieces titled Years of Pilgrimage, which was inspired by his travels around Europe and explores themes of spirituality and emotion. His influence can still be felt in contemporary music, with numerous composers such as Debussy and Rachmaninov citing him as an inspiration.

On the other hand, critics of Liszt argue that his music was overly complex, self-indulgent, and lacking in thematic coherence. Some even go as far as claiming that he contributed to the downfall of classical music by breaking away from traditional tonal centres and melodic structures. While these criticisms can be valid, it's also important to consider the context of the time he was composing. Classical music was undergoing a huge transformation during the mid-19th century, with composers experimenting with new forms and tonalities. Liszt's music was just one part of this evolution in classical music.

In conclusion, Franz Liszt was a significant figure in classical music history, with an impact that continues to this day. While there is much debate surrounding his place in history, it's undeniable that he had an indelible impact on classical music as we know it today. His contributions to the piano recital format, piano compositions and his innovation has inspired generations of classical music listeners and composers. Whether you love him or hate him, there is no denying his significance in the development of classical music.
Tag: Franz Liszt, music artist, best songs, artist career
SONGS OF FRANZ LISZT - THE BEST SONGS OF THE ARTIST
1 - La Campanella
2 - Hungarian Rhapsody No. 2
3 - Grey Clouds
4 - Liebestraum
5 - Allegro agitato molto
6 - Molto Vivace
7 - Etude de Concert No. 3, 'Un Sospiro' (Russian National Cinema Symphony Orchestra)
8 - Liebestraume, S541/r211 : No. 3: Nocturne In A-flat Major
9 - Les Preludes
10 - No. 3 In D Flat Major, "un Sospiro"
11 - Tarantella
12 - 6 Consolations, S. 172: No. 3 In D Flat Major (lento, Placido)
13 - Station Iv, Jesus Begegnet Seiner Heiligen Mutter
14 - En Rêve, Nocturne, S. 207
15 - 6 Consolations, S. 172 : No. 3 In D Flat Major (lento, Placido)
16 - Consolations, S172/r12: No. 2. Un Poco Piu Mosso
17 - Les Jeux D'eaux A La Villa D'este, S. 163
18 - Totentanz
19 - Un Sospiro
20 - Love Dream
21 - Ständchen (from Schwanengesang, D957)
22 - Ständchen In D Minor (after Schubert), S. 560
23 - La Campanella In G-sharp Minor (from "grandes études De Paganini", S. 141 / 3)
24 - Liebestraum No. 3
25 - Consolation No. 3
26 - Années De Pélegrinage / Prémiere Année: Suisse, S. 160: Ii. Au Lac De Wallenstadt (at Lake Wallensta
27 - Hungarian Rhapsody No. 2 In C-sharp Minor, S. 244
28 - Transcendental Etude No. 5 - Feux Follets
29 - 6 Etudes D'execution Transcendante D'apres Paganini, S140/r3a: No. 6 In A Minor
30 - Mephisto Waltz No. 1, S. 514
DISCOGRAPHY OF FRANZ LISZT
1987: Lieder
1986: Via Crucis
1967: Klavir