Artist: Black Uhuru Album: Now

Year: 1990
Duration: 0:0-1

A of Black Uhuru's Album 'Now'

The 80s recorded bands and artists that changed the music industry. One of those bands is Black Uhuru, a Grammy-Award winning band that has been in the reggae scene since the mid-'70s. Black Uhuru has had numerous lineups, but their sound has been consistent and inspired the future generation of reggae artists. For this post, we will delve into one of their albums - Now - released in 1990. We will be looking at its brief history, the music genre, the best songs, the most innovative parts, and a of the album.
Black Uhuru's music career began in the mid-'70s when the original members decided to form a group. They were signed to Island Records and released their first album, 'Love Crisis.' They also changed their members frequently in the early days, but their sound of roots, rock, and reggae was consistent. They would later add elements of electronic music, funk, and R&B to their sound. Now is the band's 17th album and one of the last with the original band members.
The music genre of Now is reggae with elements of dancehall, electronic, and R&B. The album's opening track, 'Who's Responsible?' shows the electronic influence with synthesized beats creating the rhythm. Some said Black Uhuru was ahead of their time when they created this fusion; others criticized their move towards mainstream sound.
The best songs of the album include 'Dreadlock Pall Bearers,' 'Let Us Pray, 'Living in the City,' and 'Pain.' These songs are classic Black Uhuru tracks with the band's signature vocals, drums, bass guitar, and guitar. The album's lyrics speak of social issues such as homelessness, poverty, and corruption. 'Dreadlock Pall Bearers' stands out with its mournful melody and lyrics about the death of Bob Marley and his ideology. The song illustrates the spiritual connection felt throughout the reggae community.
The most innovative part of the album is the introduction of drum machines and synthesizers. 'Peace and Love' is a reggae song, but the synthesized horns and drums add a futuristic element to the track. The entire album's futuristic sound has a significant influence on modern reggae artists who experiment with electronic sounds.
As a critic of the album, I believe Now marks a new direction for Black Uhuru with a more mainstream sound. While it doesn't sound like their previous albums, it is still worth listening to. The album shows Black Uhuru's ability to evolve and try new sounds. Although they received backlash for going mainstream, they still held onto their roots and incorporated it into Now in their way.
Black Uhuru's Now is an album that bridges the gap between the traditional reggae sound and the sound that would influence the next generation of reggae artists. While some may critique the album's mainstream sound, it still holds a rightful place in the band's discography. The album reflects a spirit of experimentation and growth, with an eye towards the future. If you enjoyed listening to Black Uhuru's earlier works, this album may be worth a try, as it provides a glimpse into where the band was heading.
Black Uhuru's Now is an album that bridges the gap between the traditional reggae sound and the sound that would influence the next generation of reggae artists. While some may critique the album's mainstream sound, it still holds a rightful place in the band's discography. The album reflects a spirit of experimentation and growth, with an eye towards the future. If you enjoyed listening to Black Uhuru's earlier works, this album may be worth a try, as it provides a glimpse into where the band was heading.