Artist: Cecil Taylor Album: Conquistador!

Year: 1967
Duration: 0:0-1

Cecil Taylor's Conquistador!: A Critical Review from a Listener's Perspective

Cecil Taylor is one of the most iconic figures in the world of free jazz. He has experimented with different forms of jazz, creating his unique soundscapes that have left listeners in awe for decades. In this review, we'll dive into one of his most notable albums, Conquistador! We'll discuss the genre of the album, give our take on the top songs, and explore the most innovative parts of the album.

Cecil Taylor has a fascinating history. Born in New York City in 1929, he began playing the piano from a young age. His early influences were stride pianists like Fats Waller and Duke Ellington. In the 1950s, he played with legends like Charlie Parker and John Coltrane, and by the 1960s, his style had evolved into something entirely new. He pioneered a unique approach to piano playing that was characterized by its freedom and improvisation, which was at the forefront of the avant-garde movement.

Conquistador! is an album that exemplifies Taylor's unique style. Released in 1966, the album is a collection of three pieces that blend the sounds of the avant-garde with traditional jazz instrumentation. The result is an album that is both challenging and engaging, requiring a certain level of attention from the listener. The album features Taylor on piano, Jimmy Lyons on alto sax, and Sunny Murray on drums.

The track that stands out the most on the album is the title track, Conquistador. It's a 20-minute exploration that is full of twists and turns. The piece begins with Taylor playing a melody that is repeated throughout the song. Lyons and Murray enter the track with a powerful energy that contrasts with Taylor's calm demeanor. The song builds to a climax, with all three musicians playing at a fever pitch. It's an intense and exhilarating listening experience.

Another standout track on the album is With (Exit). The song is a much more meditative piece, with a slower pace than Conquistador. Taylor's piano playing is delicate and beautiful, and Lyons and Murray match his peaceful tone. The song's melody evolves slowly, with each musician contributing in their unique way, culminating in a beautiful conclusion.

One of the most innovative aspects of the album is the way that Taylor uses the piano. His playing is not limited by traditional forms or scales, and he uses the entire range of the piano. His playing is complex and difficult to replicate, but the result is a sound that is entirely unique.

Critically speaking, Conquistador! is an album that is not for everyone. It's challenging and complex, but for those who appreciate Taylor's style, it's a must-listen. The album is a testament to Taylor's talent and innovation, and it remains relevant to this day.

In conclusion, Conquistador! is an album that is essential for any fan of free jazz. The album is a snapshot of one of the most innovative musicians of the 20th century, and it exemplifies Taylor's unique style. From the intense energy of Conquistador to the peacefulness of With (Exit), the album is a journey that will leave listeners amazed. While the album may not be for everyone, its complexity and innovation are what make it a timeless piece of music.

In conclusion, Conquistador! is an album that is essential for any fan of free jazz. The album is a snapshot of one of the most innovative musicians of the 20th century, and it exemplifies Taylor's unique style. From the intense energy of Conquistador to the peacefulness of With (Exit), the album is a journey that will leave listeners amazed. While the album may not be for everyone, its complexity and innovation are what make it a timeless piece of music.