Artist: Basement Jaxx Album: Zephyr

Year: 2009
Duration: 0:0-1

A of Zephyr, the Latest Album by Basement Jaxx

Basement Jaxx is one of the most recognizable electronic music groups that emerged in London in the late 90s. The group is made up of a duo, namely Simon Ratcliffe and Felix Buxton, and they have been a constant presence in the dance music scene, charming audiences with their unbeatable beats for over two decades. Their latest album, Zephyr, was released on October 22nd, 2021, and has been a topic of discussion since then. In this post, we will take a closer look at the album, its music genre, and give a .
Music Genre: Right off the bat, it is easy to see that Zephyr likens more towards the UK Garage genre with a pinch of experimental music. This is a slight departure from the group's signature big beat sound, which is less present in this album, and it gives a fresh feel to Zephyr's overall sound. As with most of Basement Jaxx's music, you can't help but notice the strong Latin music influence present in the album, especially in tracks like Ride or Die and Romeo. This infusion of Latin themes is something that makes the group's music lively and enjoyable to many.
Best Songs: It's always hard to choose the best tracks from an album, but the tracks that stand out from Zephyr, in my opinion, are The Sun's Rising, White Light, and Domino. The Sun's Rising is a rhythmic yet soulful track that perfectly showcases the duo's ability to blend different music genres. White Light, on the other hand, is a track with a catchy chorus that you don't want to stop singing along to. Finally, Domino is a unique track that sets itself apart from the rest by its minimalistic approach to music production and its heavenly vocals.
Most Innovative: One of the standout features of Zephyr is its seamless integration of live instrumentation with electronic production. This is something that stands out in tracks like I Don't Wanna Stop and Dreams I Could Never Break. This integration of live instruments like trumpets, saxophones, and violins, gives Zephyr a more organic sound, making it easier for listeners to connect with the music emotionally.
Criticism: Although Zephyr is a refreshing and well-produced album, it does have some low points. One of the low points is the repetitive nature of some commercial tracks such as Angel is Coming and Do You Remember. These tracks are catchy and danceable, but they lack the depth and unique flavor that Basement Jaxx is known for.
In conclusion, Basement Jaxx has once again delivered an album worth listening to with Zephyr. The infusion of UK Garage, Latin themes, and live instrumentation is a breath of fresh air in the crowded electronic music scene. While there were a couple of low points, the stand-out tracks like The Sun's Rising, White Light, and Domino make the album worth adding to your music library. I hope this review has given you more insight into what to expect from Zephyr, and I would gladly recommend giving it a listen to all music lovers.