Artist: Elvis Costello Album: When I Was Cruel

Year: 2002
Duration: 0:0-1

When I Was Cruel: A Critical Review of Elvis Costello's Album

Elvis Costello is a legendary figure in the music industry. With over four decades of music-making under his belt, he has carved a name for himself as a versatile musician with a unique ability to cross genres effortlessly. When I Was Cruel, released in 2002, is a testament to his musical prowess. In this article, we will take a close look at this album, dissecting its musical genre, the best songs in the record, the innovative parts, and ultimately, a critical review of the album.

When I Was Cruel, Costello's twenty-second album, marked a departure from his early sound. The album was a return to his rock and new wave roots. With its subversive beats and edgy hooks, the album draws heavily from punk and ska influences. Costello's snarling vocals and biting lyrics give the album a raw and uncompromising sound that harkens back to the early punk scene.

One of the standout tracks on When I Was Cruel is the lead single 45. The song, which features a driving bassline, pounding drums, and biting guitar riffs, is a nod to Costello's punk roots. The chorus is catchy and manages to create a perfect blend of energy and melody. Another excellent track on the album is Tear Off Your Own Head (It's a Doll Revolution). The song is a satirical take on the artificiality of modern pop culture. The off-kilter rhythm and unconventional melody make the song one of the most memorable tracks on the album.

When I Was Cruel contains several moments of innovation, with Costello's experimentation with sound and production value clear throughout the album. Songs like Daddy Can I Turn This? and Alibi offer an eerie, almost industrial sound, achieved through the clever use of synthesizers and drum machines. The album's closer Radio Silence introduces us to a more reflective Costello, with its gentle acoustics and poignant lyrics.

While When I Was Cruel has its strengths, it is not without its shortcomings. The album's pacing can feel tedious at times, with some of the tracks feeling lackluster and uninspired. The Imposter, for instance, fails to leave a lasting impression, and songs like Episode of Blonde and Alibi suffer from inconsistent pacing.

Overall, when I Was Cruel is a decent album, undoubtedly one of Costello's most innovative and adventurous. Its blend of punk and ska elements, coupled with Costello's biting and acerbic lyrics, make it a powerful addition to the musician's impressive discography. While there are moments of brilliance on the album, it does have its flaws that can hold it back from being a classic. Nonetheless, When I Was Cruel is a must-listen for anyone interested in Elvis Costello's music, or rock and punk enthusiasts looking for an album that pushes the boundaries of the genre.