Artist: April March Album: Paris in April

Year: 1996
Duration: 34:17

A of the Album: Paris in April by April March

Are you a fan of French pop music? Or maybe just in the mood for something different? Look no further than April March's album, Paris in April. This album serves as a tribute to French pop from the 1960s, and it's clear that April March has done her research. But is it worth a listen? In this post, we'll dive into the history of the artist, the music genre of the album, the best songs, and the most innovative parts. And at the end, we'll give our own critic of the album.
April March, whose real name is Elinor Blake, is an American singer-songwriter who gained popularity in the 1990s with her French-influenced pop music. She lived in France for a few years in the 1980s and became enamored with French pop from the 1960s, particularly the yé-yé genre. Yé-yé was a style of pop music that originated in France in the early 1960s and was characterized by its upbeat tempo and youthful, carefree lyrics. April March captures the essence of yé-yé perfectly in Paris in April. Her sweet, breathy voice is reminiscent of the genre's most famous artists, like Françoise Hardy and Sylvie Vartan.
The album's best songs include Laisse Tomber Les Filles and Chick Habit, both of which were originally performed by the legendary French singer-songwriter Serge Gainsbourg. April March's covers of these songs are both respectful and playful; you can tell she's enjoying herself. Another standout track is Le Temps De L'amour, which was also made famous by Françoise Hardy. April March's cover is faithful to the original, but her voice gives the song a new, contemporary twist.
The most innovative part of Paris in April is the use of English lyrics in some of the songs. April March wrote her own lyrics to some of the covers, which is rare for this type of tribute album. In While We're Young and In My Room, she sings in English, and the result is stunning. Her lyrics are romantic and wistful, perfectly complementing the original music. However, some listeners may find this departure from the original French lyrics jarring.
Now for the critic of the album. Paris in April is a fun and engaging tribute to French pop, but it may not be for everyone. Some listeners may find April March's voice too cutesy or the music too derivative. It's important to note that this album is clearly a labor of love on April March's part, and her passion for the genre shines through in each song. But if you're not already a fan of French pop, this album may not make you one.
All in all, Paris in April is a well-done tribute to French pop from the 1960s. April March's sweet voice and respectful covers make for a delightful listening experience. While some listeners may not appreciate the departure from the original French lyrics, it's clear that April March put a lot of thought and care into this album. If you're looking for something different and enjoy the carefree spirit of yé-yé music, give Paris in April a listen.