Artist: Foetus Art Terrorism Album: Hide

Year: 2010
Duration: 0:0-1

Foetus Art Terrorism: A Critical Review of the Album Hide

Known for his avant-garde music and radical ideas, Foetus Art Terrorism is a name that's hard to forget. The man behind the music, Jim Thirwell, has been actively producing groundbreaking music since the 1980s and has gained a cult following with his innovative style, abrasive sounds, and unconventional lyrics. His 1994 album, Hide, is a classic in the Foetus Art Terrorism discography. In this post, we will be taking a critical review of the album, including its history, the genre of music it falls into, the best songs on the album, and the most innovative parts of the project.

Foetus Art Terrorism has always been an artist who is hard to label. The sound of Hide is no different - it's a unique blend of various genres, from industrial to post-punk to experimental rock. The album's opening song, Verklemmt, paints a picture of the genre-bending madness that is to come. With a heavy use of synths, distorted guitars, and unconventional rhythms, the album sets itself apart from the mainstream music of the time.

One of the best tracks on the album is Mandelay. This song stands out with its infectious melody, haunting vocals, and an overall eerie atmosphere that is hard to forget. Thirwell's vocal delivery is particularly noteworthy in this song, with him sounding like he's at his wit's end. This brings a sense of urgency to the lyrics, which makes it one of the most memorable songs on the album.

Another innovative part of the album is the use of sampling. Foetus Art Terrorism is known for incorporating various sounds into their music, and Hide is no different. The track Butterfly Potion leans heavily on sampling, with various sounds and snippets of dialogue from movies and TV shows seamlessly woven together. This creates a surreal and immersive experience that stays with the listener even after the song ends.

While Hide is generally regarded as a classic in the Foetus Art Terrorism discography, it's not without its faults. One of the criticisms leveled against the album is its lack of cohesion. While the individual tracks on the album are excellent, they don't necessarily flow together well. This makes it feel more like a collection of songs rather than a cohesive album.

That being said, Hide, is still a remarkable listen. The album's closing track, Don't Want Me Anymore, brings a beautiful sense of closure to the album. With its stripped-back instrumentation and emotive vocal performance, the song leaves the listener with a sense of catharsis.

In conclusion, Foetus Art Terrorism's Hide is an essential album not only for fans of the artist but also for anyone interested in avant-garde music. With its genre-bending sound and innovative approaches to music-making, it's no surprise that the album has stood the test of time. While there are flaws in the album's structure, the individual songs on the album are still a treat to listen to. Hide is a must-listen for anyone who wants to delve into some of the most innovative music of the 90s.

In conclusion, Foetus Art Terrorism's Hide is an essential album not only for fans of the artist but also for anyone interested in avant-garde music. With its genre-bending sound and innovative approaches to music-making, it's no surprise that the album has stood the test of time. While there are flaws in the album's structure, the individual songs on the album are still a treat to listen to. Hide is a must-listen for anyone who wants to delve into some of the most innovative music of the 90s.