Artist: Deep Purple Album: Come Taste the Band
Year: 1975Duration: 37:34
A Critical Review of Deep Purple's Come Taste the Band
Deep Purple is a legendary band that has graced the music industry since the late 1960s. They are known as pioneers of hard rock and heavy metal, and their music has stood the test of time. Over the years, they have released numerous albums, each with its own unique sound and style. One such album is Come Taste the Band, which was released in 1975. It was their first album without lead singer Ian Gillan and bassist Roger Glover, and their first with vocalist David Coverdale and bassist/vocalist Glenn Hughes. In this blog post, we will take a closer look at this album, its music genre, the best songs, the most innovative parts, and offer our review.
Come Taste the Band marked a departure from Deep Purple's earlier hard rock and heavy metal sound, and moved towards a more funky, soulful style. The album is considered to be a mix of hard rock, funk, and blues. This style was heavily influenced by the contributions of vocalist David Coverdale and bassist/vocalist Glenn Hughes, who brought in their own unique styles to the album. It's important to note that this album also marked the end of an era for the band, as guitarist Ritchie Blackmore left after its release.
The album has some standout tracks that showcase the band's new sound and style. Lady Luck is a funky and upbeat track that features a catchy guitar riff and a groovy bass line. The song is driven by the rhythm section and has a lively beat that is hard to resist. Comin' Home is a softer track that showcases Coverdale's soulful voice and the band's ability to create beautiful ballads. The song has a mellow and calming feel to it, making for a great contrast to the other heavier tracks on the album.
One of the most innovative parts of the album is the use of horn sections on some of the tracks. Gettin' Tighter features a funky, almost jazzy horn section that adds a new dimension to the song. The use of horns on this track is a departure from the band's usual sound and shows their willingness to experiment with new styles. This Time Around/Owed to 'G' is another track that features a horn section and is a great example of the band's ability to fuse different styles together seamlessly.
Despite the album's strengths, there are also some weaknesses that cannot be ignored. One of the main criticisms is the lack of consistency throughout the album. While some tracks are strong and showcase the band's new sound, others feel like filler tracks and lack the same creative energy. Additionally, the absence of Blackmore's signature guitar sound is noticeable, and some fans may find it difficult to accept the band's new direction.
In conclusion, Come Taste the Band is a decent album that showcases Deep Purple's willingness to experiment with new styles. It's an interesting departure from their usual hard rock and heavy metal sound, and features some standout tracks that highlight their new funk and soulful influences. However, the lack of consistency throughout the album and the absence of Blackmore's guitar sound may deter some fans. All in all, Come Taste the Band is worth a listen for fans of Deep Purple and anyone interested in exploring their musical evolution.
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