Artist: El Tri Album: Una rola para los minusvalidos

Year: 1994
Duration: 0:0-1

A Deep Dive into El Tri's Una Rola Para Los Minusválidos

El Tri has been a prominent figure in the Mexican rock scene since the 70s. Their latest album Una Rola Para Los Minusválidos, released in 1999, was met with critical acclaim for its politically-charged lyrics and innovative sound. In this blog post, we'll take a closer look at the history of El Tri, the music genre of the album, the best songs, the most innovative parts, and a critic of the album.

El Tri was formed in 1968 by Alex Lora, a Mexican singer and songwriter. Their sound is often described as rock en español, a genre that emerged in the late 60s and early 70s. The band's political and social commentary has earned them a dedicated following in Mexico and Latin America. With over 50 albums under their belt, El Tri has cemented their place in Mexican rock history.

Una Rola Para Los Minusválidos is a departure from the band's earlier sound, featuring electronic beats and synthesizers. The album tackles themes of government corruption, poverty, and the struggles of everyday people. Some critics have labeled it as the band's most experimental album yet, which is saying something for a group known for pushing boundaries.

The standout track on the album is Pobre Soñador, a haunting ballad about a poor man dreaming of a better life. Lora's voice is raw and emotional, and the lyrics are poignant in their simplicity. Mexico, Mexico is another standout, with its upbeat tempo and catchy chorus. The song celebrates Mexican culture and encourages unity among citizens.

One of the most innovative parts of the album is the use of electronic elements, which gives the music an almost futuristic feel. This is most evident on tracks like El Hotel de los Secretos, which blends a driving beat with distorted guitars and vocal samples. The album also features collaborations with other artists, such as Lila Downs on El Rey de la Adrenalina.

Despite its critical success, the album is not without its flaws. Some reviewers have criticized the production quality, noting that certain tracks sound muddled and unclear. Additionally, some listeners may find the electronic elements jarring compared to the band's earlier, more straightforward sound.

Overall, Una Rola Para Los Minusválidos is a powerful statement from El Tri. The band tackles important social issues with nuance and passion, bringing attention to the struggles of everyday Mexicans. While it may not be everyone's cup of tea, it's worth a listen for anyone interested in the history of rock en español or socially-conscious music. El Tri's legacy in Mexican rock music is secure, and this album only adds to their impressive body of work.