Artist: Alif Tree Album: The Observatory

Year: 2000
Duration: 0:0-1

An In-Depth Look into Alif Tree’s The Observatory Album

The world of music has always been a mystical wanderer that showers us with sheer joy and pleasure. Music can take us to a different world altogether, leaving us mesmerized and enchanted. The experience becomes even more profound when we stumble across an album that's a pure work of art. Such is the beauty of The Observatory, a 2009 album by the French music artist Alif Tree. The album stands out for its unique blend of jazz, electronic, and experimental music that takes the listeners on a mysterious journey. In this blog, I'll share my candid thoughts on the album, including the best songs, most innovative parts, and my overall review.

Alif Tree- a brief history: Alif Tree, aka Alexandre Grynszpan, is a French music composer and producer who started his musical journey in the '90s. After spending his early years playing guitar for various bands, Grynszpan turned to music production in his 20s. He released his first album, French Cuisine, in 2003, which received critical acclaim and established him as a gifted composer. The Observatory, released in 2009, is Alif Tree's third album.
The Album Genre: The Observatory is a unique blend of jazz, electronic, and experimental music that creates a surreal experience for the listeners. The album's genre will appeal to those who are looking for a refreshing take on contemporary jazz. Grynszpan's infuses electronic elements with jazz and creates a soundscape that's both harmonious and ambient.
The Best Songs of The Album: The album comprises eleven tracks that are all remarkable in their own way. However, some songs stand out for their sheer brilliance. Forgotten Places is a perfect example of the fusion of jazz and electronic music done right. It's a melodious, ambient track with a lingering saxophone that creates a mesmerizing effect. I Did It Again is another notable song that features Grynszpan's sultry voice harmonizing with jazz, creating a hypnotic experience. Dead Flowers is a minimalistic piano track that creates a sense of melancholy and a haunting feeling that lingers long after the track ends.
The Most Innovative Parts of the Album: The album's most innovative part is the mastery of fusion displayed by Grynszpan. His ability to blend jazz and electronic music creates a new music genre that's rich, experimental, and harmonious. Additionally, the background vocals from Louisa Bey, Lisa Spada, and Camille make the whole album come alive. The various ambient sounds used in the album create an eerie but impressive effect that adds to the album's overall appeal.
A of the Album: While the album is a gem, it isn't perfect. The album's production quality is, at times, inconsistent. Some tracks, such as Broken Bridges, feel out of place and come across as filler tracks that do not add much to the album's narrative. The overall tempo of the album is mostly slow-paced, which may not appeal to all listeners. Regardless of the hiccups, The Observatory is a landmark album that deserves recognition and acclaim.
In conclusion, The Observatory is a beautifully executed album that deserves recognition for its innovative genre blending, impeccable vocal harmonies, and haunting instrumentals. Alif Tree's composition pushes the boundaries, making this album a thoughtful and unique work of art. Though not perfect, The Observatory is a must-listen-to album for contemporary jazz and electronic music lovers. I hope this review inspires you to check out The Observatory, and let the music take you on a journey of its own.