Artist: Beardfish Album: Sleeping in Traffic: Part Two
Year: 2008Duration: 1:14:24
A of Beardfish's Sleeping in Traffic: Part Two Album
Beardfish is a Swedish band that has been rocking the Progressive Rock scene since 2001. They have released several albums throughout their career, including Sleeping in Traffic: Part Two. This album, in particular, caught my attention due to its progressive nature and unique psychedelic-style sound. In this post, we will explore the history of Beardfish, discuss the genre of the Sleeping in Traffic: Part Two album, analyze some of the best songs of this album, and evaluate the most innovative parts of it while giving my critical opinion.
History of Beardfish:
Started in 2001, Beardfish is a four-piece band from Sweden that specializes in progressive rock music. The founding members, David Zackrisson (guitar/vocals), Rikard Sjöblom (keys/vocals/guitar), Robert Hansen (Bass), and Magnus Öström (Drums), met during high school. Over the last two decades, Beardfish has released several albums and performs consistently in live concerts. The development of their sound and technique has been crucial in their popularity and success.
Genre of Sleeping in Traffic: Part Two:
Sleeping in Traffic: Part Two is considered a progressive rock album. It has a psychedelic-style sound with elements of Jazz and Blues. Their musical arrangements stand out in each song, having a unique and cohesive sound throughout.
Best Songs of the Album:
There are two standout tracks from this album: The Hunter and Sleeping in Traffic. The Hunter is pure adrenaline, driven by an intricate guitar riff, heavy drums, and melancholic vocals. Sleeping in Traffic has a fantastic, dreamy beginning that ushers in a beautiful guitar solo demonstrating the band's creative capabilities. the band also does well with Sunrise Again, having a rock and roll vibe with an intense chorus. The album flows nicely together, having a cohesive sound and feel.
Most Innovative Parts:
Beardfish has always been known for their unique music production, and this album is not an exception. Sleeping in Traffic: Part Two delivers something different from the well-known progressive rock style, having several improvised jams and psychedelic elements, and influences Jazz and Blues. The band incorporates different arrangements in each track, showcasing their creativity and approach to making music.
Critic of the Album:
The Sleeping in Traffic: Part Two is an excellent album overall. However, it may not be for everyone. Some may find the production and arrangement to be outdated, while others may disagree with the extended playing times in tracks such as The Hunter. Overall, it is subjective as to what an individual would enjoy as this album promotes an unconventional style, but if you keep an open mind, it will be worth listening.
The Sleeping in Traffic: Part Two is an excellent album overall. However, it may not be for everyone. Some may find the production and arrangement to be outdated, while others may disagree with the extended playing times in tracks such as The Hunter. Overall, it is subjective as to what an individual would enjoy as this album promotes an unconventional style, but if you keep an open mind, it will be worth listening.
Beardfish's Sleeping in Traffic: Part Two is a significant musical accomplishment. Their creative approach to producing music is admirable, and the music enthusiasts should check this album out. Beardfish's progressive rock style, fused with Jazz and Blues, sets them apart from anyone else in the genre. The album's best tracks, The Hunter and Sleeping in Traffic, should be enough to convince rock music lovers to listen to the album. However, keep in mind, this album may not be for everyone, but if you can keep an open mind and approach it with an adventurous ear, you will not be disappointed!
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