Artist: Dizzy Gillespie Album: New Wave

Year: 1963
Duration: 0:0-1

Jazz in Review: Dissecting Dizzy Gillespie's New Wave Album

Welcome to another installment of Jazz in Review, where we take a deep dive into some of the most critically acclaimed albums in the genre. This time, we'll be analyzing Dizzy Gillespie's New Wave album, which was released in 1962. Gillespie, who is renowned for his contributions to bebop, fused the genre with swing and Latin jazz to create something fresh and exciting. This album was undoubtedly a bold step in his career, and we're excited to critique it.

Before we dive into Gillespie's New Wave, it's essential to note the artist's background. Gillespie was born in South Carolina in 1917, and his father was a bandleader. He showed an affinity for music from a young age and eventually became one of the most important jazz trumpeters in history. Bebop was his forte, and he was a pioneer in the genre, collaborating with icons like Charlie Parker. The New Wave album is his exploration of fusing bebop with swing and Latin jazz in a bid to usher in a new era of jazz music.

Now, let's get into the album. The New Wave album is comprised of ten tracks, and they're all bangers. Gillespie's trumpet work is out of this world; his solos are inventive and showcase his technical prowess. However, the real star of the album is the band he assembled. With Lalo Schifrin on keyboards and Leo Wright on saxophone and flute, the music hits different. The musicianship is top-notch, and they elevate Gillespie's compositions to another level.

One of the standout tracks is Desafinado, which is a bossa nova standard that Gillespie puts his spin on. The blending of bebop and Latin jazz is excellent, and the laidback vibe of the song is a welcome change from the high-octane energy of the rest of the album. Another highlight is Fiesta Mojo, which starts with Gillespie's trumpet work and devolves into a percussion showcase shared by the rest of the band.

The most innovative part of the New Wave album is the experimentation with rhythm. Gillespie interchanges time signatures, and the band tackles odd metre playing with ease. This aspect may seem insignificant, but jazz's evolution has always revolved around rhythm and how it's played. Gillespie's approach on this album is innovative and crucial to the genre's progression.

Despite all the praise for the album, it's not without its flaws. The compositions, while technically impressive, lack memorability. There's no song that immediately sticks out to listeners - everything blends together. Also, the album is very much of its time. While experimental for the early 60s, the fusion of genres has been done many times since, and other musicians have done it better than Gillespie.

In conclusion, Dizzy Gillespie's New Wave album is a worthwhile listen for jazz enthusiasts. The musicianship on display is electric, and Gillespie's trumpet playing is otherworldly. While there are flaws in the album, they're outweighed by what's great about it. The exploration of rhythm in jazz music was a critical step for jazz music, and Gillespie's experimentation was significant. The New Wave album is a great representation of Gillespie's place as a giant in jazz history. If you've never listened to it before, give it a chance.

In conclusion, Dizzy Gillespie's New Wave album is a worthwhile listen for jazz enthusiasts. The musicianship on display is electric, and Gillespie's trumpet playing is otherworldly. While there are flaws in the album, they're outweighed by what's great about it. The exploration of rhythm in jazz music was a critical step for jazz music, and Gillespie's experimentation was significant. The New Wave album is a great representation of Gillespie's place as a giant in jazz history. If you've never listened to it before, give it a chance.