Artist: Dr. Feelgood Album: Malpractice

Year: 1975
Duration: 37:33

Dr. Feelgood's Malpractice Album: A Critical and Honest Review

Dr. Feelgood, aka Milk Dee, is an American hip-hop artist known for his 1989 album, Malpractice. The album is a fusion of hip hop, funk, and R&B, making it a unique piece of music. Dr. Feelgood's music has evolved over time, and Malpractice is one of his most recognized works. In this blog, I will take a deep dive into the Malpractice album by Dr. Feelgood and provide a critical review of the work, including the artist's history, music genre, innovative parts, and overall critique.

Dr. Feelgood's Malpractice is a 14-track album with a total runtime of 54 minutes, released on June 22, 1990. The album features collaborations with some of the most popular and talented artists of the time, such as Chuck D, MC Lyte, and Big Daddy Kane. Dr. Feelgood is known for his distinct, recognizable flow, and Malpractice showcases it beautifully. His voice is clear and powerful, and his lyrics are well-thought-out and expressive, making each track a journey.

The genre of Malpractice is hip-hop, funk, and R&B, with each of the tracks exuding a different vibe, from the hard-hitting Creep Dog to the more mellow Ain't Nothin' But a Party. The album's fusion of different genres makes it a unique and interesting piece of work, and it's easy to see why it's been praised for decades.

The standout tracks of Malpractice are Ain't Nothin' But a Party, That's the Way Love Is, and Let the Good Times Roll (Part Two). Ain't Nothin' But a Party is an upbeat track that showcases Dr. Feelgood's unique approach to music-making, and That's the Way Love Is is a slow and sensual ode to love. Let the Good Times Roll (Part Two) is the album's closer, and it's a perfect way to end the album, with its infectious energy and catchy hooks.

One of the most innovative parts of Malpractice is the use of samples, which was a relatively new concept in the music industry at the time. Dr. Feelgood utilized samples from various artists such as James Brown and Run-DMC, breathing new life into their works and showcasing his production skills. The samples are meticulously chosen and laid out, enhancing the composition and making the tracks even more dynamic.

Despite the many strengths of Malpractice, the album does have some weaknesses. The album's sound is somewhat dated, which isn't necessarily a bad thing, but it may not appeal to younger audiences who prefer more contemporary beats and production. Also, a few tracks felt repetitive and could have been shortened or omitted entirely to keep the album's momentum going.

In conclusion, Dr. Feelgood's Malpractice is a solid and well-crafted album that showcases the artist's unique voice and style. The fusion of hip-hop, funk, and R&B creates a unique listening experience, and the album's use of samples showcases Dr. Feelgood's production skills. The standout tracks are catchy and infectious, and the album is deserving of the praise it's received over the years. However, the album's sound is dated, and some tracks could have been omitted or shortened, making for a tighter and more engaging listening experience. Overall, Malpractice is a great album for lovers of hip-hop and funk, and it's a testament to Dr. Feelgood's influence in the music industry.

In conclusion, Dr. Feelgood's Malpractice is a solid and well-crafted album that showcases the artist's unique voice and style. The fusion of hip-hop, funk, and R&B creates a unique listening experience, and the album's use of samples showcases Dr. Feelgood's production skills. The standout tracks are catchy and infectious, and the album is deserving of the praise it's received over the years. However, the album's sound is dated, and some tracks could have been omitted or shortened, making for a tighter and more engaging listening experience. Overall, Malpractice is a great album for lovers of hip-hop and funk, and it's a testament to Dr. Feelgood's influence in the music industry.