Artist: Fischerspooner Album: Entertainment

Year: 2009
Duration: 0:0-1

Fischerspooner's Entertainment Album: A Critical Review

Fischerspooner, a New York-based electroclash duo, released their third album, Entertainment, in 2009. Known for their experimental theatrical performances and music, their latest album was highly anticipated by fans and critics alike. In this blog post, we will provide a brief history of the artist, the music genre of the album, and the best songs of the album. We will also discuss the most innovative parts and provide a critical review of the album.

Fischerspooner, formed in 1998, consists of Warren Fischer and Casey Spooner. They first gained attention in 2002 with their debut album #1, which combined electronic music with visual art and performance art. Entertainment was released seven years later and showcased the duo's continued experimentation with electronic music with a more refined and mature sound.

The Entertainment album falls into the electroclash genre, which emerged in the late 1990s and early 2000s. It combines elements of electronic music, punk, and pop with a focus on irony and satire. Fischerspooner's album fits well into this genre with its upbeat, danceable tracks, and witty lyrics.

One of the best songs on the album is Supply and Demand, a pulsating track with a catchy chorus and a driving beat. With lyrics such as if it's not a challenge, it's boring, the song captures the playful and subversive nature of the electroclash genre. Another standout track is We Are Electric, a dark and moody song that features haunting vocals from Casey Spooner.

One of the most innovative parts of the album is its use of live instrumentation, particularly on tracks such as The Best Revenge and In a Modern World. The duo incorporates guitars, horns, and strings to create a more organic and dynamic sound, which gives the album a more polished and sophisticated feel.

Despite its strengths, Entertainment falls short in some areas. The album at times feels overproduced, with an excessive use of electronic effects and filters. Some tracks feel repetitive, without enough variation in sound or structure. Additionally, the lyrics, while witty and ironic, can at times feel overly simplistic and lacking in depth.

Overall, Fischerspooner's Entertainment album is a solid and enjoyable addition to the electroclash genre. Its catchy beats, clever lyrics, and innovative use of live instrumentation make it stand out from other electronic albums of the time. However, it falls short in some areas, such as overproduction and repetition. Despite its flaws, Entertainment is an album worth listening to for fans of electroclash and experimental electronic music.

Overall, Fischerspooner's Entertainment album is a solid and enjoyable addition to the electroclash genre. Its catchy beats, clever lyrics, and innovative use of live instrumentation make it stand out from other electronic albums of the time. However, it falls short in some areas, such as overproduction and repetition. Despite its flaws, Entertainment is an album worth listening to for fans of electroclash and experimental electronic music.