Artist: 10CC Album: Deceptive Bends

Year: 1977
Duration: 0:0-1

A of 10CC's Deceptive Bends Album

As a music lover, it's always exciting to discover new artists and albums. Over the years, there have been countless musicians who have left their mark on the industry, but one band that has remained somewhat under the radar is 10CC. A British art-pop band that emerged in the 70s, 10CC has been widely known for their hit songs like I'm Not in Love and Dreadlock Holiday. Today, we'll be taking a closer look at one of their most iconic albums, Deceptive Bends.
Firstly, let's give a brief history of 10CC. The band members Eric Stewart, Kevin Godley, Lol Creme, and Graham Gouldman, met in the 60s and formed a band called Hotlegs. They released a few hit singles, but it wasn't until they formed 10CC in 1972 that they really hit their stride. With a unique sound that mixed pop, rock, and experimental elements, 10CC became one of the most innovative bands of their time.
Moving on to the genre of Deceptive Bends, it's safe to say that it's a blend of pop-rock and art-pop. The album was released in 1977 and was a commercial success, giving 10CC their first UK top ten hit with The Things We Do for Love. It also earned critical acclaim for its sophisticated arrangements and witty lyrics.
The best songs on the album, in my opinion, are The Things We Do for Love, People in Love, and Good Morning Judge. The Things We Do for Love is a catchy, feel-good track with a memorable chorus, while People in Love has a more laid-back, romantic vibe. Good Morning Judge stands out with its energetic guitar riffs and tongue-in-cheek lyrics.
One of the most innovative parts of the album is the use of technology. Eric Stewart was a skilled producer and engineer, and he incorporated unique sounds and effects like tape loops, synthesizers, and vocoders. This added to the band's distinct sound and made Deceptive Bends a groundbreaking album for its time.
Now, for the criticism. While Deceptive Bends is a strong album overall, it does have a few weak points. Some of the tracks, like Marriage Bureau Rendezvous and Feel the Benefit, drag on a bit too long and could have been edited down. Additionally, some songs feel a bit too safe and formulaic compared to the band's more ambitious works.
In conclusion, Deceptive Bends is a classic album that showcases 10CC's unique blend of pop and art-rock. With catchy melodies, sophisticated arrangements, and innovative production techniques, it's clear why this album was a hit with critics and audiences alike. While it's not perfect, it still stands as a testament to the band's creativity and influence in the music industry. If you're a fan of 70s rock or art-pop, Deceptive Bends is definitely worth a listen.
In conclusion, Deceptive Bends is a classic album that showcases 10CC's unique blend of pop and art-rock. With catchy melodies, sophisticated arrangements, and innovative production techniques, it's clear why this album was a hit with critics and audiences alike. While it's not perfect, it still stands as a testament to the band's creativity and influence in the music industry. If you're a fan of 70s rock or art-pop, Deceptive Bends is definitely worth a listen.