Artist: Autoclav1.1 Album: All Standing Room in the Goodnight Saloon
Year: 2010Duration: 0:0-1
A of Autoclav1.1's All Standing Room in the Goodnight Saloon
If you're a fan of experimental electronic music, you've likely heard of Autoclav1.1 - the moniker of Tony Young, an England-based artist who's been producing music for over a decade. His latest album, All Standing Room in the Goodnight Saloon, was released in 2021 and boasts a unique blend of industrial, ambient, and glitch sounds. In this , we'll take a closer look at the album's genre, best songs, most innovative parts, and offer an overall critique.
Genre:
The album falls under the umbrella of experimental electronic music, which is an eclectic genre that values innovation and boundary-pushing over maintaining a consistent sound. Autoclav1.1's use of glitch and noise elements lends the album a distinct industrial feel, while the ambient synth pads give it a dreamy melancholic atmosphere. The blending of these genres is executed seamlessly throughout the album, and the result is an expansive, immersive experience.
Best Songs:
While the entire album is noteworthy, several tracks stand out from the rest. All Standing Room, the album's opening track, sets the tone with a series of haunting, ethereal synth chords. Future Imperfect, a collaboration with fellow experimental artist Displacer, showcases Autoclav1.1's ability to create complex rhythms using glitch and noise elements. Arguably the album's standout track is The Curious Tale of Dr. Pelluci's Automaton, a cinematic piece that weaves together orchestral instruments, a glitchy beat, and haunting vocal samples.
Most Innovative Parts:
One of the most impressive things about All Standing Room in the Goodnight Saloon is how Autoclav1.1 takes calculated risks to keep the listener engaged. The risky production decisions that are heavily prevalent in the song The Curious Tale of Dr. Pelluci's Automaton, which could have been a disaster and an exent, but in this case, it just works. Another significant risk is the placement of The Barnstormer, a much shorter track at track six that serves as a refreshing palate cleanser for the listener, and in comparison, the risk of placement becomes immensely valuable.
Album Critique:
While overall the album is a well-executed experiment, it's not without its flaws. Specifically, the sound of the album can at times be needlessly overwhelming, making it difficult to focus on the smaller details within the music. This may be less of a critique of Autoclav1.1's skill as a producer and more a matter of personal taste, but it bears mentioning nonetheless.
Autoclav1.1's All Standing Room in the Goodnight Saloon is an album that demands multiple listens and rewards the listener with an immersive, ever-shifting listening experience. Its blend of industrial, glitch, and ambient sounds creates a unique atmosphere that draws the listener in, and the calculated risks taken during the production process make the album a refreshing listen. While it may not be for everyone, it's a must-listen for anyone who enjoys experimental electronic music.
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