Artist: Elton John Album: 21 at 33

Year: 1980
Duration: 0:0-1

A Deep Dive into Elton John's 21 at 33 Album: A Critic's Perspective

When it comes to legendary musicians, Elton John is a name that inevitably makes the list. Over the course of his illustrious career, the British artist has produced a plethora of hit songs that have captured the hearts of listeners around the globe. His album 21 at 33, released in 1980, is one such iconic piece of musical history that is worth revisiting. In this post, we'll take a critical look at the album, its genre, and its most innovative parts.

Before we dive into the album itself, it's worth taking a closer look at the man behind the music. Elton John was born in 1947 in Middlesex, England, and showed an early aptitude for music. He began playing the piano at the tender age of three and, by the time he was eleven, had won a scholarship to the Royal Academy of Music. From there, he went on to become one of the most successful and beloved musicians of his generation.

When it comes to genre, 21 at 33 has often been categorized as a rock album, with elements of pop and R&B mixed in. The album's energetic blend of genres creates a unique sound that grabs your attention right from the first note. With the accompaniment of powerhouse musicians, such as guitarists Davey Johnstone and Tim Renwick, Elton John delivers hit after hit throughout the album.

Speaking of hits, the album has several tracks that stand out from the rest, including Little Jeannie, Sartorial Eloquence, and Two Rooms at the End of the World. Each of these songs has its own unique charm, showcasing John's songwriting prowess and vocal range. The lyrics are introspective and evocative, while the music itself is dynamic and exhilarating.

When it comes to the album's most innovative aspects, it's worth noting the use of synthesizers and other electronic instruments. At the time of its release, this was a relatively new technology, and John seamlessly incorporates it into his music, creating a sound that is both modern and timeless. Additionally, the album features a few notable collaborations, including a duet with Olivia Newton-John on Two Rooms at the End of the World.

All of that said, it's important to acknowledge that 21 at 33 is not a perfect album. There are moments where the energy sags, and some of the tracks feel a bit too derivative of John's earlier work. However, these moments are relatively few and far between, and overall, the album stands up well to repeated listenings.

Overall, Elton John's 21 at 33 is a must-listen album for any fan of rock, pop, or R&B. Its unique blend of genres, unforgettable tracks, and innovative use of electronic instruments make it a true standout in John's discography. While there are a few missteps along the way, the album's strengths more than make up for any weaknesses. So, sink into your favorite chair, put on your headphones or crank up your sound system, and let the timeless sounds of 21 at 33 transport you to another world.

Overall, Elton John's 21 at 33 is a must-listen album for any fan of rock, pop, or R&B. Its unique blend of genres, unforgettable tracks, and innovative use of electronic instruments make it a true standout in John's discography. While there are a few missteps along the way, the album's strengths more than make up for any weaknesses. So, sink into your favorite chair, put on your headphones or crank up your sound system, and let the timeless sounds of 21 at 33 transport you to another world.