english spanish italian

Einstürzende Neubauten

Einstürzende Neubauten (German pronunciation: [?a?n??t??ts?nd? ?n???ba?t?n], Collapsing New-Buildings) is a German industrial band, originally from West Berlin, formed in 1980.
Einstürzende Neubauten: A Musical Biography
For the uninitiated, Einstürzende Neubauten might sound like a daunting name for a band. However, this German group has been one of the most important and influential acts in the experimental music scene since their formation in 1980. With a mix of industrial, avant-garde, and noise music, Einstürzende Neubauten has never been afraid to push the boundaries of what music can be. In this article, we will take a closer look at their musical biography, explore some of their best songs, and discuss their significance as a band.
Einstürzende Neubauten was formed in West Berlin in 1980 by founding members, Blixa Bargeld, and F.M. Einheit. The band's name translates to collapsing new buildings, and it's a reference to the destruction of buildings that were bombed during World War II. The band's musical philosophy was to use unconventional instruments and non-traditional techniques to create their sound. They made use of power tools, scrap metal, and other found objects to create their music, and they often performed in underground clubs and art galleries.
Einstürzende Neubauten's sound can be described as industrial, experimental, and avant-garde. They have often been associated with the noise rock movement, and their music has been praised for its intense and visceral quality. One of the band's landmark recordings was the 1981 cassette-only release, Kollaps. The album featured a mix of industrial noise, electronic beats, and percussion instruments made from scrap metal. The album was a critical success and helped to establish the band's reputation as a force to be reckoned with in the avant-garde music scene.
One of Einstürzende Neubauten's most popular songs is Yü-Gung (Fütter Mein Ego), from their 1985 album, Halber Mensch. The song features tribal drumming, metallic clanging, and Bargeld's distinctive growl. The song has been considered a benchmark of the industrial music genre, and it has been covered by several artists. Another standout track from Halber Mensch is Sehnsucht, a slow-burning ballad that features Bargeld's powerful vocals and a haunting string section.
In addition to their studio recordings, Einstürzende Neubauten is known for their intense and mesmerizing live performances. One of their most famous shows took place in West Berlin in 1984 and was called The Greatest Show on Earth. The show featured the band performing in a scrapyard and using a giant metal claw to move pieces of scrap metal around the stage while they played their music. The show was a critical and commercial success and helped to cement the band's reputation as innovators in the music industry.
Critics have praised Einstürzende Neubauten for their willingness to experiment with sound and their ability to create music that is both challenging and rewarding. The band's music has been described as confrontational, aggressive, and at times, even dangerous. They have been compared to other avant-garde artists like Throbbing Gristle and Nurse with Wound, and they have been cited as an influence by a wide range of artists from different genres.
Einstürzende Neubauten has been an influential force in the experimental music scene for over four decades. Their willingness to push the boundaries of what music can be has made them one of the most respected and revered bands of their kind. From their early forays into industrial noise to their later, more experimental works, Einstürzende Neubauten has left an indelible mark on the world of music. Their unique approach to sound and performance has inspired countless artists and will continue to do so for years to come. If you're a fan of avant-garde and experimental music, Einstürzende Neubauten is a band that you should definitely check out.


Next Concert
Arena Wien
Vienna, Austria

The Praises and Criticisms of Experimental/Industrial Music Artists, Einstürzende Neubauten

Since their formation in 1980, Einstürzende Neubauten have been one of the most influential and polarizing experimental/industrial music acts of all time. Whether you love them or hate them, there’s no denying that they are among the most forward-thinking musical futurists going today. Their influence on generations of artists since their inception has been undeniable and unparalleled, helped in part by frontman Blixa Bargeld's unique sensibilities as a performer and vocalist. In this blog post we will explore both the criticisms and praises for this beloved—and sometimes reviled—artist.

When it comes to experimental/industrial music acts, Einstürzende Neubauten is a band that is hard to ignore. This German band has been producing music since 1980, and they have become an undeniable force in the music industry. Einstürzende Neubauten's unique sound, which blends music with unconventional instruments and metallic percussion, has garnered them both praise and criticism. In this blog post, we will delve into the praises and criticisms of Einstürzende Neubauten and examine the impact they have had on the music industry.

Einstürzende Neubauten's unconventional approach to music has garnered them a lot of praise. They have been hailed as one of the most forward-thinking and innovative bands of their time. Their use of unconventional instruments, such as chainsaws, metal sheets, and water tanks, and their blending of these sounds with electronic music has gained them a loyal following. Their cult-like fan base is convinced that Einstürzende Neubauten is pushing the boundaries of what music can be and has laid the foundation for experimental music genres.

However, Einstürzende Neubauten has also been the target of some harsh criticism. Many critics have labeled their music as noise and unlistenable. The band's music has been described as chaotic, disorganized and downright abrasive. During live performances, they have been known to use heavy machinery like jack-hammers, drills, and other noise makers which have left some listeners covering their ears in discomfort. Critics argue that while innovation can be a good thing, Einstürzende Neubauten's approach to music is just a collection of noise without any fundamental structure that ties it together.

Despite the criticisms, there is no denying that Einstürzende Neubauten has been influential in the music industry. The band has influenced countless artists in the experimental/industrial music scene. Their music has also been used in several movies and television shows, including the soundtrack for the popular movie The Matrix. Other industrial music artists, like Nine Inch Nails and Ministry, have cited Einstürzende Neubauten as an influence on their own music.

In conclusion, Einstürzende Neubauten is a band that has made a significant impact on the music industry. While their music can be abrasive, it is also innovative and forward-thinking. Their unconventional use of instruments, along with their blending of genres, has created their own unique sound. Whether you love them or hate them, there is no denying that Einstürzende Neubauten has laid the foundation for the experimental/industrial music scene and will continue to be an influential force for future artists and musicians.
Tag: Einstürzende Neubauten, music artist, best songs, artist career
1 - Stella Maris
2 - The Garden
3 - Sabrina
4 - Tanz debil
5 - Ich gehe jetzt
6 - Silence Is Sexy
7 - Youme & Meyou
8 - Nagorny Karabach
9 - Die Interimsliebenden
10 - Weil Weil Weil
11 - Seele Brennt
12 - Z.n.s.
13 - Halber Mensch
14 - Die Befindlichkeit Des Landes
15 - Sand
16 - Negativ Nein
17 - Die Wellen
18 - Blume
19 - Trinklied
20 - Perpetuum Mobile
21 - Let's Do It A Dada
22 - Ich Hatte Ein Wort
23 - Susej
24 - Redukt
25 - In Circles
26 - Dead Friends (around The Corner)
27 - Alles Wieder Offen
28 - Der Tod Ist Ein Dandy
29 - Zampano
30 - Beauty
31 - Zebulon
32 - Von Wegen
33 - Steh Auf Berlin
34 - Musentango
35 - Selbstportrait Mit Kater
36 - U-haft Muzak
37 - Sonnenbarke
38 - Heaven Is Of Honey
39 - Draussen Ist Feindlich
40 - Kollaps
41 - Sehnsucht (zitternd)
42 - Sehnsucht
43 - Ich Warte
44 - Alles
45 - Letztes Biest (am Himmel)
46 - Unvollständigkeit
47 - Armenia
48 - Schmerzen Hören


Arena Wien
Vienna, Austria
buy ticket
Munich, Germany
buy ticket
Berlin, Germany
buy ticket
2024-09-11 h: 19:00
O2 Shepherds Bush Empire
London, UK
buy ticket
2024-09-12 h: 19:15
Antwerp, Belgium
buy ticket
Cologne, Germany
buy ticket
Elbphilharmonie - Großer Saal
Hamburg, Germany
buy ticket
2024-09-21 h: 21:00
Konservatoriets Koncertsal
Copenhagen, Denmark
buy ticket
2024-09-22 h: 21:00
Konservatoriets Koncertsal
Copenhagen, Denmark
buy ticket
2024-09-24 h: 20:15
TivoliVredenburg, Grote Zaal
Utrecht, Netherlands
buy ticket
2024-10-01 h: 21:00
Sala Santa Cecilia, Auditorium Parco della Musica
Rome, Italy
buy ticket
2024-10-02 h: 21:00
Teatro dal Verme
Milan, Italy
buy ticket
2024-10-03 h: 21:00
Teatro Comunale Claudio Abbado
Ferrara, Italy
buy ticket
2024-10-05 h: 20:00
Zürich, Switzerland
buy ticket
Frankfurt, Germany
buy ticket
2024-10-12 h: 19:00
Stockholm, Sweden
buy ticket
2024-10-13 h: 19:00
Sentrum Scene
Oslo, Norway
buy ticket
Haus Auensee
Leipzig, Germany
buy ticket
2024-10-18 h: 20:00
Forum Karlín
Prague, Czech Republic
buy ticket
2024-10-21 h: 18:00
Klub Stodoła
Warsaw, Poland
buy ticket
2024-10-24 h: 19:45
Sala Apolo
Barcelona, Spain
buy ticket
2024-10-26 h: 19:30
Le Bikini
Toulouse, France
buy ticket
2024-10-27 h: 19:30
La Cigale
Paris, France
buy ticket