Artist: Einstürzende Neubauten Album: Perpetuum Mobile

Year: 2004
Duration: 0:0-1

A Deeper Look into Einstürzende Neubauten's Perpetuum Mobile

If you are a fan of experimental music, chances are you have come across the name Einstürzende Neubauten. This German music project was formed in the early 80s and has been pushing the boundaries of music ever since. One of their most iconic albums is Perpetuum Mobile, released in 2004. In this blog post, we will take a critical look at this album, its genre, the best songs, and the most innovative parts.

Before we delve into Perpetuum Mobile, let's get some context by briefly discussing the history of Einstürzende Neubauten. Formed in Berlin in 1980, the band's name translates to Collapsing New Buildings, and they were a part of the post-punk movement. Their music, characterized by the use of unconventional instruments like scrap metal and power tools, and their experimentation with sound and industrial music, was quite avant-garde for the time.

Perpetuum Mobile, released in 2004, sees Einstürzende Neubauten continue their exploration of industrial music, but on a more subdued level. The album is described as elegant and introspective by some critics, and it definitely features a more mature sound than their earlier works. The album leans towards more melodic and atmospheric textures compared to their usual chaotic, abrasive sound.

The standout tracks on Perpetuum Mobile include Ein Leichtes Leises Säuseln, Youme & Meyou, and Selbstportrait mit Kater. Ein Leichtes Leises Säuseln starts with a gentle piano melody that is gradually accompanied by atmospheric soundscapes, and Blixa Bargeld's haunting voice. Youme & Meyou features an African-inspired rhythm that is both mesmerizing and danceable. Selbstportrait mit Kater is a somber piece with an ominous choir in the background.

One of the most innovative aspects of Perpetuum Mobile is the use of string quartet arrangements on some of the tracks. The quartet, made up of violin, viola, cello, and bass, adds a layer of classiness to the music and complements the band's industrial sound. The lyrics on the album are also noteworthy, with themes of introspection and self-reflection, making it a thoughtful and introspective piece of art.

However, Perpetuum Mobile is not without its faults. Some critics argue that the album lacks the raw energy and experimentation that Einstürzende Neubauten is known for. While the album is not as abrasive as their earlier works, it still carries traces of the industrial sound they are known for. Some fans also found the string quartet arrangements too predictable and cliched compared to the band's usual unconventional instrumentation.

Perpetuum Mobile is a fine addition to Einstürzende Neubauten's catalog and showcases the band's growth and evolution over the years. This album is definitely worth a listen for fans of experimental music, and it stands as a testament to the band's versatility and willingness to explore new sounds. While not as groundbreaking as their earlier works, Perpetuum Mobile is a cohesive work of art that delivers a more mature sound and thoughtful lyrics.