Artist: Fangoria Album: Una temporada en el infierno

Year: 1999
Duration: 0:0-1

Una temporada en el infierno: A Critical Review of Fangoria's Album

Fangoria, the Spanish music duo made up of Alaska and Nacho Canut, have been in the music industry for more than three decades. The legendary duo has always been at the forefront of the Spanish music scene, experimenting with different sounds, and producing music that reflects their love for art, fashion, and poetry. In 2013, they released their album Una temporada en el infierno, which was met with critical acclaim. In this blog post, we will be taking a closer look at the album, exploring the history of Fangoria, the music genre of the album, the best songs of the album, the most innovative parts, and our critical review of the album.

Fangoria was formed in 1989 after the break up of another Spanish band, Alaska y Dinarama. The duo is made up of Alaska, who was born Olvido Gara in Mexico, and Nacho Canut. Both artists have been involved in the music scene since the 1970s and have collaborated with some of the biggest names in Spanish music. The band emerged as a synthpop act and has since evolved into different genres such as electroclash, disco, and techno.

Una temporada en el infierno is a departure from their previous work and a tribute to Arthur Rimbaud's poetry collection of the same name. The album is a fusion of different music genres, including pop, electronic, and rock. The album was produced by Guille Milkyway, who is known for his work with the band La Casa Azul. The album's theme is a reflection of the band's fascination with the idea of hell and the influence of Rimbaud's poetry.

The album contains ten tracks, and some of the best songs include Dramas y Comedias, El Cementerio de Mis Sueños, and El Cielo Está Vacío. Dramas y Comedias is a catchy electro-pop song that reflects on the highs and lows of love. El Cementerio de Mis Sueños is a slow electronic ballad that showcases Alaska's vocal range and singing abilities. El Cielo Está Vacío is a techno-pop track that reflects on the emptiness that can come with fame and success.

The most innovative part of the album is the use of different sound effects, such as the sound of rain, thunder, and ghostly whispers on Vivo en Un Hueso. The use of different instruments such as the cello and violin on Espectacular and Desfachatez adds depth and texture to the music.

Our critical review of the album is that Una temporada en el infierno is a departure from Fangoria's typical style that blended electronic dance music with rock. This album was a risk that paid off for the duo. The fusion of different genres, the use of different sound effects, and the inspiration from Rimbaud's poetry has resulted in an innovative and captivating album. However, the album is not without its flaws. Some songs on the album can feel overly produced, and the lyrics can feel repetitive.

Fangoria's Una temporada en el infierno is a unique and captivating album that showcases the duo's evolution and experimentation in music. The fusion of different genres, the use of different sound effects, and the inspiration from Rimbaud's poetry makes the album a one-of-a-kind experience. However, the album is not without its flaws. Overall, if you are a fan of Fangoria or looking to explore Spanish music, Una temporada en el infierno is an album worth checking out.

Fangoria's Una temporada en el infierno is a unique and captivating album that showcases the duo's evolution and experimentation in music. The fusion of different genres, the use of different sound effects, and the inspiration from Rimbaud's poetry makes the album a one-of-a-kind experience. However, the album is not without its flaws. Overall, if you are a fan of Fangoria or looking to explore Spanish music, Una temporada en el infierno is an album worth checking out.