Artist: Ella Fitzgerald Album: These Are the Blues

Year: 1963
Duration: 0:0-1

These Are the Blues by Ella Fitzgerald: A Soulful Journey into a Timeless Music Genre

Ella Fitzgerald's These Are the Blues album has always been a standout in the singer's iconic career. Released in 1963, this album revisits the blues and jazz genres that were once her major backing and showcases her formidable vocal talents in a more raw, stripped-down style. This critical review of These Are the Blues will give listeners a glimpse into the life of the artist, the genre of the album, the best songs of the album, the most innovative parts, and a bit of critique about the record.

Ella Fitzgerald is undoubtedly one of the most celebrated jazz musicians of the 20th century. Born in 1917, she started singing professionally in 1935 and went on to record more than 200 albums throughout her career. From her early swing recordings with the Chick Webb Orchestra to her famous collaborations with Louis Armstrong, Fitzgerald's voice had the power to move audiences around the world. These Are the Blues is a sublime example of her artistry and versatility.

Blues is a genre that evolved from work songs, field hollers, and spirituals, and was popularized in the southern states of America in the early 20th century. The blues tells stories of struggle, hardship, and perseverance. With These Are the Blues, Fitzgerald pays homage to the blues greats who helped define the genre, such as Bessie Smith, Ma Rainey, and Ida Cox, while also adding her own unique flair to the sound. The album's eleven tracks range from the slow, mournful See See Rider to the upbeat and joyous Jelly Jelly.

The best songs on the album are undoubtedly C.C. Rider, Trouble in Mind, and Cry Me a River. C.C. Rider is a standout track due to its infectious melody, groovy bassline, and Fitzgerald's soulful delivery. Trouble in Mind is a poignant tune that showcases her vocal range and emotional depth. And Cry Me a River is a sultry ballad that brings out the vulnerability in her performance.

The most innovative part of the album is the collaboration with some of the biggest names in jazz. Fitzgerald is joined by Count Basie on the piano, Illinois Jacquet on the tenor saxophone, and Roy Eldridge on the trumpet, among others. Together, they create a sound that is rich, complex, and timeless. The interplay between Fitzgerald's vocals and the instrumentation elevates the songs to another level.

Critique-wise, These Are the Blues may not be Fitzgerald's best album. Some critics argue that it lacks the consistency and cohesiveness of her previous works. However, this record still offers a refreshing departure from the glamorous big band arrangements that she was known for at the time. The stripped-down, bluesy sound allows Fitzgerald to showcase her raw emotions and true vocal prowess.

Ella Fitzgerald's These Are the Blues album is a must-listen for anyone who appreciates the artistry of jazz and blues. This record serves as a testament to her versatility as a musician and her undying commitment to her craft. From her powerful performances to the expertly crafted arrangements, every aspect of this album is a true masterpiece. While it may not be her most acclaimed work, These Are the Blues is a soulful journey into a timeless music genre that has stood the test of time.