Artist: Bombay Bicycle Club Album: So Long, See You Tomorrow

Year: 2014
Duration: 0:0-1

A Critical Review of Bombay Bicycle Club's So Long, See You Tomorrow

The British indie rock legends, Bombay Bicycle Club, needs no introduction to the listeners of the indie music genre. Consisting of members Jack Steadman, Jamie MacColl, Suren de Saram, and Ed Nash, this band has been creating magic since their formation in 2006. In 2014, they released their fourth studio album, So Long, See You Tomorrow, which was a significant shift from their previous works. This blog post will dive into the history of the band, the music genre of the album, the best songs, the most innovative parts, and my critic review of this album.

Bombay Bicycle Club started their journey in 2006 as four teenagers with a passion for music. They self-released their debut album, I Had the Blues But I Shook Them Loose, in 2009, which received massive critical acclaim. With three successful albums, they took a hiatus in 2014 and returned with So Long, See You Tomorrow. The album marked a significant departure from their previous works' folk and indie sound, shifting towards more electronica-based songs. The album features an eclectic mix of genres, including pop, rock, and even Indian classical elements, which makes it stand out in their discography.

The best song of the album is undoubtedly Luna, with its catchy beats and smooth vocals. This song is a perfect blend of experimental sounds and indie rock vocals, making it unique and enjoyable to listen to. Carry Me and Home By Now are also standout tracks that showcase the band's musical prowess. The complex layering of sounds and the use of electronic beats set these songs apart from the band's previous works.

The most innovative part of this album is the seamless integration of samples and different sounds into their traditional musical style. The use of samples from Indian classical music, as heard in songs like Feel, adds a unique flavor to the album. The band also experimented with different instruments, including a sitar and harmonium, which helped create a distinct sound that stands out from their previous works.

Despite the album's critical acclaim, my critic review is that the album lacks a cohesive theme. While the individual songs are impressive, there is no clear message or theme that ties the album together. The album feels disjointed and scattered, almost like a collection of unrelated songs rather than a cohesive album. Additionally, some tracks, such as Overdone, feel rushed and lack a clear direction.

So Long, See You Tomorrow is a significant shift for Bombay Bicycle Club, showcasing their ability to experiment with different genres while retaining their distinct sound. The album features some standout tracks, innovative sample integration, and use of different instruments, making it a unique experience. However, my critic review highlights the lack of a cohesive theme, making it less enjoyable as a whole album. In conclusion, this album may not be Bombay Bicycle Club's strongest work, but it's still worth a listen.