Artist: Can Album: Saw Delight

Year: 1977
Duration: 0:0-1

A Critical Review Of Can's Saw Delight Album

The music industry has seen an emergence of different genres over the years, with Rock and Roll being one of the most influential ones. In the early 1970s, a German band known as Can was formed, and they took the Rock and Roll genre to a whole new level. Can's music is known for its experimental and innovative style, and their 1977 Saw Delight album is no exception.

In this blog post, we will take a critical review of Can's Saw Delight album, including a brief history of the band, the music genre of the album, the best songs of the album, the most innovative parts and finally, a critic of the album.

Can is a German band that was founded in 1968. The band's music style cut across various genres, including psychedelic rock, krautrock, jazz, and funk. The band's lineup includes Holger Czukay, Jaki Liebezeit, Irmin Schmidt, Michael Karoli and Damo Suzuki. The band's experimental nature and unique style made them one of the most influential bands of their time, and they inspired many generations to come.

Saw Delight is Can's eighth studio album released in 1977. The album's music style deviates from the band's earlier psychedelic rock and krautrock style, and instead, it features elements of funk and reggae. The band collaborated with various musicians, including Japanese vocalist Phew, who provided vocals for two of the album's tracks.

One of the best songs in the Saw Delight album is Don't say No. The track features a funky bass line accompanied by an addictive drum rhythm, punctuated by Karoli's well-crafted guitar riffs. The song's repetitive chorus hooks the listener from the start and does not let go. Another great song is Sunshine Day and Night which starts with a reggae-style rhythm and quickly transforms into a high-tempo rock song. The song's duration of eight minutes leaves the listener yearning for more.

The Saw Delight album's most innovative part is the track Animal Waves. The song features a series of animal sounds and peculiar vocalizations by both Phew and Damo Suzuki. The track provides a good break from the album's theme and showcases Can's experimental nature.

In my opinion, the Saw Delight album is a great piece of work, but it falls short in comparison to the band's earlier albums, particularly Tago Mago and Ege Bamyasi. The tracks lack the energy and psychedelic touch that made the band famous in their earlier years. The songs also feel repetitive and lack the edge that the band is known for.

Can's Saw Delight album showcases the band's musical evolution and experimental nature. The album's fusion of funk and reggae is a deviation from their earlier psychedelic rock and krautrock music style. Although the album falls short in comparison to Can's earlier albums, it provides an insight into the band's musical experimentation and how they continually pushed the boundaries of contemporary music. This album is a must-listen for all Can fans and anyone interested in experimental music.