Artist: Aswad Album: Not Satisfied

Year: 1982
Duration: 0:0-1

A of Aswad's Album Not Satisfied

Aswad, the London-based reggae band, released the album Not Satisfied in 1982. The album features a fusion of reggae, R&B, and funk with socially conscious lyrics. As a music lover, I gave this album a listen and found it to be an interesting blend of genres and themes. In this article, I will be discussing the history of Aswad, the music genre of the album, the best songs of the album, the most innovative parts, and my critique of the album.
Aswad is a British reggae band that formed in 1975. The word Aswad means black in Arabic, and their name reflects their roots in the West Indies and their dedication to highlighting black music and culture. They gained popularity in the UK in the late seventies and early eighties and were known for their fusion of reggae with other genres.
Not Satisfied is a unique blend of reggae, funk, and R&B, and it's clear that Aswad's sound was evolving beyond traditional reggae. The album showcases a variety of themes, from political commentary to personal struggles, but each track is united by the band's signature sound.
The best songs on this album are Not Satisfied, Give Me the Dub, and Roots Rocking. Not Satisfied is a standout track with its upbeat rhythm, catchy melody, and thought-provoking lyrics about dissatisfaction with the status quo. Give Me the Dub features an inventive use of dub mixing, a technique that involves manipulating recorded music to create a distinctive sound. Roots Rocking is a lively tune with powerful vocals and a rhythm that will get listeners moving.
The most innovative part of this album is the use of electronic instruments and effects, such as synthesizers and drum machines, to create a unique sound that blends traditional reggae with modern R&B and funk. This demonstrates a willingness to experiment with new sounds, and the result is a refreshingly original album.
My critique of the album is that, while it is musically diverse and socially conscious, some of the tracks lack the soul and emotional depth that can make reggae music so powerful. Additionally, some songs feel disjointed and unfocused, lacking a clear message or theme. Overall, Not Satisfied is a solid album that showcases Aswad's evolution as a band, but it falls short of being a true masterpiece.
In conclusion, Not Satisfied is an intriguing album that blends reggae, R&B, and funk with socially conscious lyrics. Aswad's willingness to experiment with new sounds and themes is commendable, but some tracks lack the emotional depth and focus that make reggae music so compelling. Despite this, the album remains an essential addition to any music lover's collection and demonstrates Aswad's unique contribution to the evolution of reggae music in the late twentieth century.
In conclusion, Not Satisfied is an intriguing album that blends reggae, R&B, and funk with socially conscious lyrics. Aswad's willingness to experiment with new sounds and themes is commendable, but some tracks lack the emotional depth and focus that make reggae music so compelling. Despite this, the album remains an essential addition to any music lover's collection and demonstrates Aswad's unique contribution to the evolution of reggae music in the late twentieth century.