Artist: El Tri Album: Nada que perder
Year: 2008Duration: 0:0-1
Breaking Down Nada que perder by El Tri: An in-depth review
El Tri is a Mexican rock band that has been around since the late 1960s. The band is known for its socially and politically charged lyrics that reflect the tumultuous nature of Mexican society. In 2013, El Tri released Nada que perder, an album that fans and critics alike have called one of their best works. In this blog post, I'll provide an in-depth review of the album, including its genre, standout tracks, and innovative moments. I'll also give a critical assessment of the album, so buckle up and let's dive in.
Nada que perder is a rock album at its core, but it also incorporates other genres, such as reggae and ska, creating a unique sound that only El Tri can deliver. The band's signature sound is on full display here, with biting guitar riffs and hard-hitting drums that give the album a rebellious, punk-rock edge. The album's lyrics tackle issues such as corruption, poverty, and political unrest, reflecting the harsh realities of Mexican society.
One of the standout tracks on the album is Perro callejero, a song that showcases El Tri's ability to seamlessly transition between rock and reggae. The song's catchy guitar riff is infectious, and the call-and-response vocals between Alex Lora and Chela Lora add depth to the song's message. Another standout track is La calle de la rata, a scathing critique of the Mexican government's lack of action on crime in the country. The song's lyrics are unapologetic, and the band's performance is tight and energetic.
In terms of innovation, Nada que perder boasts many notable moments. One such moment is the song Los sueños, which features a hauntingly beautiful guitar solo that is reminiscent of Pink Floyd's David Gilmour. The song's ethereal soundscapes and introspective lyrics make it one of the album's most memorable tracks. Another innovative moment is No me hables de amor, a ska-infused track that is an ode to the rough-and-tumble nature of Mexico City.
Overall, Nada que perder is a strong album that showcases El Tri's ability to blend genres and deliver socially conscious messages. The band's energy and punk-rock ethos are on full display throughout the album, and their willingness to experiment with different sounds and instruments makes for an exciting listening experience.
However, the album is not without its flaws. Some of the tracks, such as Lo que dejamos atrás and El cocho del tío are forgettable and lack the energy and creativity of the album's standout tracks. Additionally, while the album's lyrics are innovative and thought-provoking, they can at times be repetitive, making some of the tracks feel monotonous.
In conclusion, Nada que perder is a solid album that will please fans of El Tri and newcomers to the band's music. It showcases the band's signature sound while also pushing the boundaries of what Mexican rock can be. While the album is not perfect, its standout tracks, innovative moments, and socially conscious lyrics make it a must-listen for anyone interested in Mexican rock music.
In conclusion, Nada que perder is a solid album that will please fans of El Tri and newcomers to the band's music. It showcases the band's signature sound while also pushing the boundaries of what Mexican rock can be. While the album is not perfect, its standout tracks, innovative moments, and socially conscious lyrics make it a must-listen for anyone interested in Mexican rock music.
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