Artist: Babasónicos Album: Mucho

Year: 2008
Duration: 0:0-1

A of the Album Mucho by Babasónicos

Babasónicos is an Argentine rock band that has been around for more than three decades. Since their debut in the 1990s, they have been known for their experimental sound, combining rock, pop, electronic music, and other genres. Their latest album, Mucho, released in 2020, is an extension of this experimental sound and showcases the band's evolution as artists. In this post, we'll take a closer look at Mucho and discuss the album's genre, the best songs, and the most innovative parts, and review the album critically.
The genre of Mucho is hard to define, as Babasónicos has always blended several genres in their music. However, the album has an electronic sound that permeates each of its songs. It has robotic and futuristic themes that weave with traditional rock melodies. The album opens with La Pregunta a song that sets the tone for the remaining tracks. It has a catchy beat, and its lyrics rely on the game of language, which is a clear reference to the literary influences that have always accompanied Babasónicos. The title track, Mucho, is a standout song. It has a hypnotic melody, and its chorus is sung by an AI voice, making it an innovative sound that pushes the limits of what is expected.
The album also has some critical moments that provide social commentary on the reality of Latin America. Suficiente is a song that makes a political statement about the struggle of the poor in the region. The song is dualistic, with part of it sung in a whisper, and the other half sung in a crescendo. It is a subtle but powerful way of showing the contrast between oppression and freedom. Another highlight tracks of the album is Cretino. It is a song that explores the identity crisis of modern society where people define themselves by their social media status or their online personas. The song has a modern disco vibe with a classic rock sign of Babasónicos.
In addition to its excellent songs, the most groundbreaking aspect of Mucho is its production. The album has been produced with state-of-the-art equipment that provides high-quality sound. The use of technology in the album is evident, as it makes an appearance in several tracks, such as the robotic voice on Mucho or the synthesizers on Adiós en Pompeya. The album is testament to how far Babasónicos has come as artists since their debut.
Critically, Mucho is an album that is both experimental and accessible, which is why it is such a remarkable achievement. Babasónicos has managed to push the boundaries of music while still appealing to a broad audience. The album combines artistry, innovation, and pop sensibility to create a work that breaks new ground, and it is sure to please both longtime fans and new listeners.
In conclusion, Mucho is a remarkable album that showcases Babasónicos' evolution as artists. The album has an electronic sound that permeates each of its unique tracks, and its production is top-notch, making it enjoyable to the modern music listener. The record is an eclectic combination of different sounds and genres blended to perfection, and the lyrics tackle modern societal issues with finesse and subtlety. The album is a testament to Babasónicos' artistry and innovation, and it's an excellent addition to any music collector's collection.