Artist: Babasónicos Album: Mucho +

Year: 2009
Duration: 0:0-1

Babasónicos: A of the Album Mucho+

Babasónicos has been a prominent rock band in the Latin American music scene for over 30 years. With their unique blend of rock, electronic, and experimental sounds, they've created a distinct style that sets them apart from their contemporaries. Their album Mucho+ released in 2008 features 15 tracks and has been hailed as a masterpiece by the fans. In this article, we'll delve into the history of the band, the music genre that influenced the album, the best songs of the album, the most innovative parts, and a of the album.
Babasónicos got their start in the early 90s in Argentina, where they gained a loyal fan base through their live performances. The band is known for its ever-evolving sound, incorporating elements of electronica, cumbia, and rock into their music. The album Mucho+ reflects Babasónicos' eclectic style, with its wide range of influences and instrumentation. The album is an exploration of sensory contrast and the dichotomy between romanticism and rationalism.
The music genre of the album is a mix of rock, electronic, and experimental sound. The album showcases the band's willingness to push their sound in new and exciting directions. From the reggae-tinged Deshoras to the electro-pop influenced Cuello Rojo, the album's sound is a testament to the band's willingness to experiment with different genres. This variety of styles kept the album fresh and unpredictable while still maintaining the groups' signature sound.
The best tracks of Mucho+ all showcase the groups' genre-defying sound. The opening track, Microdancing, is an infectious dance number that draws from 80s pop-rock. Putita features an irresistible bassline and great vocal performance from the lead singer. Pijamas is an introspective track that showcases the bands' songwriting as the lyrics paint a picture of one's own shortcomings. Muñeco de Haití is an eerie track that fuses the sounds of cumbia and rock to create a dark yet groovy atmosphere.
The most innovative parts of Mucho+ lies in the album's layers. Every listen uncovers a new layer, creating nuanced and intricate listening experiences. The synth work on this album is exceptional, and the incorporation of electronic sounds into the band's sonic palette was a refreshing change of pace for the group. The album's dual vocals layer the music creating more harmony and depth to the sound. Babasónicos also fused humor into their music, and this is apparent on tracks like Pijamas, where they sing about someone's humidity.
As we take a critical look at the album, it's clear that it is not without flaws. Some songs on Mucho+ fall flat in comparison to other tracks. The album is also a bit long, clocking in at 15 tracks, and it could have benefitted to have some songs trimmed. Still, the album is a testament to the band's creativity and willingness to experiment with different genres.
In conclusion, Mucho+ is a must-listen album for fans of Babasónicos or anyone interested in exploring Latin rock. The album is a culmination of the band's evolution through time, showcasing their range while keeping a cohesive sound. The album's standout tracks highlight the band's eclectic sound while the most innovative parts emphasize their willingness to push their sound forward. Babasónicos has been a staple of Latin American alternative music for over 30 years, and Mucho+ is proof that they're still at the top of their game.