Artist: Caifanes Album: El Diablito

Year: 1990
Duration: 46:55

A Critical Review of the Album: El Diablito by Caifanes

Music has the power to transport you to another world, to make you feel things you've never felt before, and to create memories that last a lifetime. Caifanes is a band that does just that. This Mexican rock band has been captivating audiences for over 30 years with their unique sound and powerful lyrics. In this blog post, we will be delving into their 1990 album, El Diablito, to give you a critical review of the album, including a brief history of the band, an overview of the music genre of the album, the best songs of the album, the most innovative parts, and a critic to the album.

Brief history of Caifanes

Formed in 1987 in Mexico City, Caifanes is a rock band that first gained recognition for their fusion of traditional Mexican music with rock. With lead vocalist Saul Hernandez, drummer Alfonso Andre, guitarist Sabo Romo, keyboardist Diego Herrera, and bassist Alejandro Marcovich, Caifanes quickly gained a loyal fan base and would go on to become one of the most influential bands of Latin rock. The band has won many awards throughout their career, including several MTV Latin America Awards, a Lifetime Achievement Award from the Latin Grammy Awards, and a Star on the Hollywood Walk of Fame.

Music Genre of El Diablito

El Diablito is the second studio album of Caifanes, released in 1990. The album features songs that range from hard rock to reggae to ballads. The band’s unique sound of combining traditional Mexican instruments with rock is evident throughout the album; it features psychedelic layers of sound, distorted guitars, and keyboards. The album also has a distinct theme of social criticism and political commentary.

The Best Songs of the Album

One of the best songs in the album is “Afuera,” a beautiful slow-tempo song that features Saul Hernandez's powerful vocals and Alejandro Marcovich's masterfully crafted guitar solo. “La Celula Que Explota” is another highlight of the album, a hard rock song that features the band's distinctive sound. The title track, “El Diablito,” is a perfect example of the band's fusion of traditional Mexican music and rock. “Avientame” is also a noteworthy song on the album, a bluesy rock song that builds into a powerful rock ballad. Finally, “Miedo,” one of the slower songs of the album, is a deeply personal and poignant song that showcases Saul Hernandez's vocal range and delivery.

Most Innovative Parts

Most Innovative Parts

One of the most innovative parts of the album is the use of Mexican indigenous instruments, such as the quijada and the huéhuetl, throughout the album. The band's unique combination of traditional Mexican instruments with rock gives their music a distinctive sound that is both powerful and ethereal. The use of multi-layered sound in the songs also adds a psychedelic quality to the album, making it a unique listening experience.

Critical Review

El Diablito is a solid album that showcases the band's distinctive sound and unique blend of rock and traditional Mexican music. The songs are well-crafted, and the lyrics are powerful and thought-provoking. However, at times, the album can feel repetitive, and some of the songs do not have the same impact as the best songs of the album. Nevertheless, El Diablito is a must-listen for anyone interested in Latin rock and is a testament to Caifanes's status as one of the most influential bands of the genre.

In conclusion, El Diablito is an album that exemplifies Caifanes's unique sound and social commentary. The album's fusion of rock and traditional Mexican music creates a powerful listening experience that is both innovative and inspiring. While the album may have flaws, it is still a must-listen for anyone looking to explore the genre of Latin rock and is a testament to Caifanes's status as one of the most important bands in the history of the genre.