Artist: Curve Album: Come Clean

Year: 1998
Duration: 0:0-1

Come Clean by Curve: A Critical Review

Curve was one of the most influential alternative rock bands of the late '80s and early '90s. Formed in 1990, the British band that characterized itself for its electronic and experimental sound. Through their albums, the duo gave voice to a generation of music fans looking for something different, something that pushed the boundaries of the rock genre. In this post, we'll take a closer look at their widely recognized album Come Clean. We'll discuss the history of the band, significant aspects of the music genre, an analysis of the best songs, the most innovative parts, and our critic to the album.

Curve's sound has always stood out because of the combination of rock elements with electronic ones. In Come Clean, the duo explores further into electronic-driven music, marking their return with a stunning showcase of their sonic evolution. This album is an extension of their self-titled debut, with more sophisticated and experimental arrangements. From the opening track Chinese Burn, the album sets the tone for many strong points that the band brings to the table.

One of the standout tracks from the album is Men Are from Mars, Women Are from Venus. The song is characterized by its intense electronic beats and layers of guitar riffs that provided a peculiar atmosphere. The combination of the guitar with the electronic drums creates the perfect sync between Sharkey's dark, seductive voice, and Halliday's explosive dance beats.

Moreover, the songwriting on Come Clean is genuinely exceptional. Tracks such as All of One and Dirty High prove that Sharkey is a true lyricist. Her words explore topics of love and lust, with an emotional depth that can only be achieved with a profound understanding of the creative process. The way her voice intertwines with the electronic instrumentation is nothing less than magical.

Curve lost innovation in their previous album Doppelgänger due to a lack of ideas, However, Come Clean finds the band surpassing their past achievements. The innovative use of electronic beats and driving bass-lines on tracks such as Already Yours and Recovery take their sound to new heights. Curve's sound is rawer, angrier, and more varied than before, showcasing the band's impressive growth.

Come Clean is a spectacular album on all fronts. The album is electronic but with a rock heart, showcasing Curve's impressive ability to blended electronics and songwriting. The album has held up remarkably well, and the band's legacy is widespread among alternative rocks scenes of the '90s. Curve was truly ahead of their time, paving the way for other alternative, electronic bands. Writing this article has been a joy for myself as a listening fan, and a timely reminder of what made Curve such a great band. If you ever have the chance to listen to their work, I'd encourage you to start with Come Clean.