Artist: Bomb The Bass Album: Back to Light

Year: 2010
Duration: 0:0-1

Back to Light by Bomb The Bass: A Critical Review

Bomb The Bass is one of the most innovative electronic music artists of all time. Their music has always been a refreshing mix of various genres, and their latest album Back to Light is no exception. This album, released in February 2021, features a diverse range of sounds and styles, making it a must-listen for electronic music enthusiasts. In this blog post, we will delve into the history of Bomb The Bass, the music genre that the album falls under, a review of the album's best songs, and a critical analysis of the album as a whole.

Bomb The Bass is the brainchild of Tim Simenon, a British musician and producer who started his career in the early 80s. He gained widespread recognition in the late 80s with his debut album Into the Dragon, which was a blend of electro-funk and hip hop. Since then, he has released several other albums, including Clear and Future Chaos, but Back to Light is his latest offering that showcases his evolution as a musician.

The Back to Light album falls under the genre of electronica, which is a broad term used to describe electronic music that doesn't fit neatly into any other genre. The album features a mix of techno, breakbeat, and ambient sounds, making it a unique listening experience. The album also features collaborations with several artists, including John Stanier from Battles and Anna Calvi, which adds to the diversity of sounds.

One of the best songs on the album is Where We Are. This track features Anna Calvi's powerful vocals over a hypnotic beat that builds up to an intense climax. Where We Are is a perfect example of Bomb The Bass's ability to blend different genres seamlessly. Another standout track on the album is Do It, which features a funky bassline and catchy synth hooks. The track is a testament to Tim Simenon's ability to create infectious dance tunes.

One of the most innovative parts of the album is its use of soundscapes. The album's opening track Disparate features a soundscape that sets the tone for the entire album. The track features a haunting drone that gradually builds up to a crescendo of percussion and a pulsating synth. The soundscape is a perfect way to introduce the listener to the album's diverse range of sounds.

While Back to Light is an excellent album, it does have a few flaws. One of the main criticisms of the album is that some tracks feel disjointed and don't flow smoothly. For instance, Up the Mountain feels out of place with its acoustic guitar, which doesn't fit in with the album's electronica sound. Another criticism of the album is that it lacks a clear identity. While the album does showcase Bomb The Bass's ability to blend different genres, it doesn't have a unified sound that ties the album together as a whole.

In conclusion, Back to Light is a must-listen album for electronic music enthusiasts. The album showcases Bomb The Bass's evolution as a musician, and its mix of diverse sounds makes it a unique listening experience. While the album has a few flaws, such as tracks that feel disjointed and a lack of a clear identity, it's still an excellent album that's worth checking out. Overall, Back to Light is a testament to Bomb The Bass's ability to create innovative and genre-bending electronic music.