Artist: Eskorbuto Album: Aki no keda ni Dios

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Aki No Keda Ni Dios: A Critical Review of Eskorbuto's Album

Eskorbuto is a legendary punk rock band from the Basque Country, which emerged during the 1980s. Their music and lyrics reflected the political and social unrest of that time, particularly the conflict between the Spanish State and the Basque separatist movement. One of their most iconic albums, Aki no keda ni Dios, released in 1984, is a quintessential example of their music genre. In this blog post, we will explore the history of Eskorbuto, the music genre of the album, the best songs of the album, the most innovative parts, and the critical review of the album.

Eskorbuto was formed in 1980 by two friends, Iosu and Juanma, who shared a passion for punk rock music. They started playing in small venues in the Basque Country, and their raw, aggressive, and irreverent sound caught the attention of the local youth, who quickly became their loyal fans. However, Eskorbuto's music was not only about entertainment but also a political statement against the oppression and marginalization of the Basque people. Their lyrics dealt with social issues such as unemployment, drug addiction, police brutality, and the fight for independence.

Aki no keda ni Dios is a perfect encapsulation of the punk rock genre, characterized by its fast-paced, distorted guitar riffs, heavy bass lines, and pounding drums. The album consists of 12 tracks, all of them less than three minutes long, which reflects the band's no-nonsense and straightforward approach. The lyrics are in Spanish, and they deal with themes such as rebellion, nihilism, and social criticism. The album's title, which translates to Here, not even God remains, is a clear indication of the band's rejection of any form of authority, be it religious or political.

The album's most popular songs are Mucha policía, poca diversión (Too much police, not enough fun), Ratas en Bizkaia (Rats in Bizkaia), and La masacre de Putxeras (The Putxeras Massacre). Mucha policía, poca diversión is a classic punk anthem that denounces police brutality and social control. The song's chorus, Muerte a los hippies, viva el punk (Death to the hippies, long live punk), became a slogan for the punk movement in Spain. Ratas en Bizkaia is a song that ridicules the political and social situation of the Basque Country, where the rats are the only ones who seem to prosper. La masacre de Putxeras, tells the story of a real event in which the police killed five young people during a concert.

The most innovative part of the album is its raw and unpolished sound, which reflects the band's DIY ethos. Eskorbuto recorded the album in a small studio with minimal equipment, which gave it a rough and crude character. The album's production was intentionally low-fi, which made it stand out from the polished and commercial music of the time. Moreover, the album's artwork, which features a cartoonish depiction of the band members, was also a departure from the serious and formal style of the music industry.

In terms of critique, Aki no keda ni Dios is not a flawless album. The album's lyrics, while politically charged, can be at times repetitive and simplistic. The band's uncompromising attitude towards authority can also be interpreted as nihilistic and self-destructive. Furthermore, the short and fast-paced nature of the songs can be overwhelming for some listeners.

Despite its imperfections, Aki no keda ni Dios remains an essential album for punk rock fans and anyone interested in the social and political history of Spain. It is a powerful and authentic representation of the Basque punk movement, which challenged the dominant culture of the time. Eskorbuto's music and lyrics, though controversial, still resonate with many people who feel disillusioned with the current political and social climate. The album's punk spirit and DIY ethos inspire new generations of musicians and listeners who seek to rebel against the status quo.