Artist: African Head Charge Album: Voodoo of the Godsent

Year: 2011
Duration: 0:0-1

A of the Album Voodoo by African Head Charge

African Head Charge is a music group that formed in the early 1980s, led by percussionist and drummer Bonjo Iyabinghi Noah. Their music infuses African rhythms, dub, and experimental electronic sounds to create a unique and captivating sound. Voodoo is one of their most acclaimed albums, released in 1993. In this post, we will take a critical look at this album, its genre, best songs, most innovative parts, and provide our honest opinion of the album.
Voodoo is classified as a dub and experimental electronic album. The songs on the album are layered with a variety of percussion instruments and electronic effects that create an immersive listening experience. African Head Charge's music is known for its use of unconventional sounds, like clanging pots and pans, to create a texture that makes their music distinct. The album is an expression of imagination and experimental creation, and it is hard to put it into words.
One of the most notable songs on the album is Hold Some More which blends traditional African rhythms with modern electronic sounds. The song starts with a slow, steady beat that gradually builds in intensity as other instruments come in and begin to layer on top. The song's most innovative part is when they start incorporating sounds like wolves howling to create a haunting and unique atmosphere.
Another standout on the album is I Want Water which is a masterclass in percussion. The song is based on a simple drum pattern that gets repeated and layered until it becomes a hypnotic rhythm. This track exemplifies what makes African Head Charge's music so entrancing – the way they build on simple ideas until they become something profound.
However, not every song on the album is a hit. Some of the instrumental tracks feel like filler, and they do not contribute much to the overall album. Additionally, some of the songs on Voodoo require patience and an open mind to fully appreciate. For example, No, Don't Follow Fashion, may not appeal to a listener who is not fond of dub music.
In conclusion, Voodoo by African Head Charge is an album that is worth listening to for anyone trying to expand their music palette. It is an experimental album that showcases a wide range of creative ideas and sounds. Although not every song hits the mark, the album is cohesive and well-structured. The sheer imagination and creativity presented on this record are admirable, and it is easy to see why it is considered an essential album by many music critics in the genre. Would highly recommend this album to anyone who is looking to explore dub and experimental music.