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Artist: Big Boi Album: Vicious Lies and Dangerous Rumors

Year: 2012
Duration: 0:0-1

A of Big Boi's Album- Vicious Lies and Dangerous Rumors

Big Boi, the American rapper, songwriter, and record producer, needs no introduction when it comes to the world of music. He is best known as one half of the iconic hip hop duo OutKast, rocking stages with his unique style and sound. However, Big Boi also has an impressive solo career, which includes the album Vicious Lies and Dangerous Rumors. In this post, we give a of the album, exploring the history of the artist, the music genre, the best songs of the album, the most innovative parts, and a critic. We invite all music enthusiasts to join us in this journey of dissecting one of Big Boi's greatest productions.
Big Boi started his solo career in 2010, after decades of successful collaborations and releases with OutKast. Vicious Lies and Dangerous Rumors is his second solo album, released in 2012. The album presented a deviation from his usual rap style, blending Hip-hop with electronic and indie-rock influences. This hybrid genre combined with Big Boi's signature style to create an ingenious sound that set him apart from other hip hop artists.
One of the highlights of the album is undoubtedly the collaborations with David Byrne (from Talking Heads) and Phantogram. The unique talents of these artists blended seamlessly with Big Boi's distinct style, resulting in tracks like Lines, CPU, and Objectum Shalamar. These tracks showcased Big Boi's ability to unite different sounds and incorporate them into his style.
The album was also formidable in its lyrics and themes. Most songs touch on love, loss, and the human condition. The track Thom Petit is a tribute to his late collaborator, and friend, Thomas Crager. In contrast, She hates me is a more personal song that speaks to the struggles of a complicated relationship. These lyrics are honest, raw, and showcase Big Boi's maturity as a songwriter.
Critics loved Vicious Lies and Dangerous Rumors. Still, some thought the album was too experimental and lacked cohesion compared to his previous body of work. Some critics also mentioned that the weaker songs on the album, such as The thicket, didn't match the standard set by the more innovative tracks.
Another commendable aspect of the album is the production value. The songs are mixed and mastered expertly, and the sonic quality gives the album an edge. The tracks Apple of my eye and Mama told me are examples of this quality, with the beats and instrumentation flowing together seamlessly. The consistent sound quality allows the listener to appreciate the tracks fully.
In conclusion, Big Boi's album Vicious Lies and Dangerous Rumors is a testament to his ability to blend genres and create a new sound. The album sees him delve into a hybrid genre of hip hop, electronics, and indie-rock with excellent results. The collaborations with David Byrne, Phantogram, and other artists add depth and character to the album that elevates it beyond traditional rap music. The personal lyrics and themes further cement Big Boi's status as an accomplished songwriter. Although there are weaker tracks in the album, it still provides an innovative and refreshing listening experience to music enthusiasts. Overall, I recommend the album to any hip hop fan as it provides a new perspective to the genre.