Artist: Bo Diddley Album: This Should Not Be

Year: 1993
Duration: 0:0-1

A Critical Review of the Album This Should Not Be by Bo Diddley

Bo Diddley was one of the greatest pioneers of rock and roll music. Known for his distinctive sound and electrifying rhythms, he influenced countless musicians with his innovative style. This Should Not Be is one of his last solo albums, released in 1996, before his untimely death in 2008. In this blog post, we'll take an in-depth look at the album, including a brief history of Bo Diddley, the music genre of the album, the best songs of the album, the most innovative parts, and a critical review of the album.

Bo Diddley was born Ellas Otha Bates in McComb, Mississippi, in 1928. He later changed his name to Bo Diddley and became a rock and roll pioneer. In his early career, Bo Diddley was signed to the Chess Records label and released numerous hit singles such as Bo Diddley, I'm a Man and Mona. His unique guitar playing style, often called the Bo Diddley beat, heavily influenced later rock musicians such as The Rolling Stones and The Beatles.

This Should Not Be is a departure from Bo Diddley's earlier music. While his signature guitar playing style is still evident, the album features a mix of rock, blues, and funk. The music is more polished compared to his early recordings, but still retains that raw and energetic quality that Bo Diddley was known for.

The best songs on the album are Bo's Guitar, This Should Not Be, Not Like a Dream, and It's Alright. Bo's Guitar is a standout track, showcasing Bo Diddley's guitar prowess, and the catchy chorus of This Should Not Be will have you tapping your feet in no time. Not Like a Dream is a slower, bluesy tune that showcases Bo Diddley's powerful vocals, and the upbeat funk of It's Alright will put you in a good mood.

One of the most innovative parts of the album is the use of synthesizers and electronic effects. While these are not usually associated with Bo Diddley's music, they work well in the context of the album and do not distract from the overall sound. The combination of traditional rock and blues instruments with modern technology adds a unique layer to the music.

However, This Should Not Be is not without its flaws. Some of the songs feel like filler tracks and lack the excitement and energy of Bo Diddley's earlier music. Additionally, the album's more polished sound may not appeal to fans who prefer the raw and gritty sound of his earlier recordings.

Overall, This Should Not Be is a solid album from one of rock and roll's greatest pioneers. While it may not be as groundbreaking as his earlier work, it still showcases Bo Diddley's unique guitar playing style and powerful vocals. The mix of rock, blues, and funk adds a new dimension to his music, and the use of modern technology is a welcome addition. Despite its flaws, This Should Not Be is a must-listen for any fan of Bo Diddley and rock and roll music.

Overall, This Should Not Be is a solid album from one of rock and roll's greatest pioneers. While it may not be as groundbreaking as his earlier work, it still showcases Bo Diddley's unique guitar playing style and powerful vocals. The mix of rock, blues, and funk adds a new dimension to his music, and the use of modern technology is a welcome addition. Despite its flaws, This Should Not Be is a must-listen for any fan of Bo Diddley and rock and roll music.