Artist: Fila Brazillia Album: Old Codes, New Chaos

Year: 1994
Duration: 0:0-1

Old Codes, New Chaos - A Critical Review of the Album by Fila Brazillia

For music enthusiasts, Fila Brazillia is a name that needs no introduction. With their unique blend of electronic music, jazz, and dub, this British band has been making waves since the mid-90s. Their album, Old Codes, New Chaos, released in 1996, is a masterpiece that reflects their evolution as artists. In this blog post, we will take a deep dive into this album, covering everything from the history of the artist to the most innovative parts of the record.

First, let's take a look at the history of Fila Brazillia. The band comprises two members, Steve Cobby and David McSherry. They started out in the early 90s and quickly rose to fame for their distinct sound that incorporated elements of jazz, dub, and world music. What set them apart from other electronic acts of the time was their focus on melody and groove rather than just beats and loops.

Old Codes, New Chaos was the band's third album and a turning point in their career. It showcased a more refined sound that was both experimental and accessible. The album's genre is hard to define, as it features a mix of electronic, jazz, and dub. However, one thing is for sure - it is an album that can be enjoyed by fans of all genres.

The album features several standout tracks, including A Zed and Two L's, Mermaids, and Subtle Body. A Zed and Two L's is a funky, uptempo track that features a killer bassline and jazzy horns. Mermaids is a chilled-out dub track that showcases the band's ability to create a relaxed atmosphere. Subtle Body is a psychedelic track that combines electronic beats and trippy samples.

The most innovative parts of the album are the way the band melds together various genres seamlessly. They never stick to one genre and are always experimenting with new sounds. The album also features several guest artists, including Cuban percussionist Carlos Russell and jazz saxophonist Iain Ballamy. These collaborations add an extra layer of sophistication and complexity to the record.

But, like any album, Old Codes, New Chaos has its flaws. Some tracks can be a bit repetitive and lack variation. The album's length could also benefit from some trimming, as it clocks in at over an hour. However, these issues are minor and don't detract from the overall quality of the album.

Old Codes, New Chaos is a timeless album that deserves a spot in every music enthusiast's collection. Fila Brazillia's unique sound and genre-bending approach make this record a must-listen. From the funky basslines to the chilled-out dub tracks, this album has something for everyone. While it may not be perfect, its flaws are minor and only serve to highlight the band's experimentation and willingness to take risks. If you haven't heard this album yet, do yourself a favor and give it a listen - you won't regret it.

Old Codes, New Chaos is a timeless album that deserves a spot in every music enthusiast's collection. Fila Brazillia's unique sound and genre-bending approach make this record a must-listen. From the funky basslines to the chilled-out dub tracks, this album has something for everyone. While it may not be perfect, its flaws are minor and only serve to highlight the band's experimentation and willingness to take risks. If you haven't heard this album yet, do yourself a favor and give it a listen - you won't regret it.