Artist: Bugge Wesseltoft Album: New Conception of Jazz: FiLM iNG

Year: 2004
Duration: 0:0-1

A Critical Review of New Conception of Jazz: FiLM iNG by Bugge Wesseltoft

Jazz has come a long way since its inception, and artists continue to push the boundaries of this genre. One such example is Norwegian pianist and composer Bugge Wesseltoft. Wesseltoft's album New Conception of Jazz: FiLM iNG is a classic example of jazz fusion, blending electronic music with traditional acoustic jazz. This album was released in 1997 and has won critical acclaim for its unique sound. This blog post will give you an in-depth review of the album, a brief history of the artist, a look into the music genre of the album, the best songs from the album, and a critical assessment of the album.

Bugge Wesseltoft is a Norwegian jazz pianist, composer, and producer. He was born on February 1, 1964, and started playing the piano at a young age. His family was a part of the Norwegian political scene, which helped him develop a strong social conscience. Wesseltoft attended and graduated from the Trondheim Music Conservatory in Norway. He started his career playing jazz and fusion music. He experimented with various genres, including punk, reggae, and classical. He released numerous albums and worked with several famous jazz musicians, including Jan Garbarek and Terje Rypdal.

New Conception of Jazz: FiLM iNG is an album released by Bugge Wesseltoft in 1997. It is a fusion of electronic music and traditional acoustic jazz. The album consists of twelve tracks, with each track being inspired by a different film. This album is considered to be one of the best examples of nu-jazz, which is a subgenre of jazz that incorporates electronic music. The use of synthesizers and drum machines, along with the traditional jazz instruments, makes for a unique listening experience.

The best songs from the album include Lost in a Light Beam, Buddha's Belly, Yellow is the Colour, and Tide. These songs showcase Wesseltoft's diverse influences and his innovative exploration of the jazz genre. Lost in a Light Beam is a mesmerizing track that starts with a delicate piano melody and slowly builds up to a dreamy soundscape. Buddha's Belly is a funky tune that blends electronic beats with live percussion and saxophone. Yellow is the Colour is a soothing track that features Wesseltoft's piano and introduces a string section to create a serene atmosphere. Tide is a haunting composition that starts with a repetitive synthesizer line and adds layers of piano, bass, and drums to create a crescendo of sound.

The most innovative part of the album is the way Wesseltoft blends electronic music with traditional jazz. The album's sound combines analog synths, drum machines, and live instruments to create a new sound that is both futuristic and grounded in jazz history. Wesseltoft's use of space and silence creates a unique atmosphere that draws the listener in.

Although this album is critically acclaimed, it may not be for everyone. Jazz purists may find it difficult to accept the incorporation of electronic elements, while electronic music fans may feel that the album is too jazz-centric. However, the album is a testament to Wesseltoft's virtuosity as a pianist and his willingness to experiment and innovate.

New Conception of Jazz: FiLM iNG by Bugge Wesseltoft is a groundbreaking album that blends electronic music with traditional jazz. The album represents a new conception of jazz and has won critical acclaim for its unique sound. It is a great example of the nu-jazz genre and showcases Wesseltoft's diverse musical influences. The album's best songs include Lost in a Light Beam, Buddha's Belly, Yellow is the Colour, and Tide. The most innovative part of the album is the way Wesseltoft blends electronic music with traditional jazz. Overall, New Conception of Jazz: FiLM iNG is a must-hear album for fans of jazz, electronic music, and those who appreciate musical experimentation.