Artist: Cecil Taylor Album: In East-Berlin

Year: 1989
Duration: 0:0-1

Cecil Taylor's In East-Berlin: A Critical Review of a Jazz Classic

Cecil Taylor was one of the most innovative and influential pianists in the history of jazz. His unconventional approach to rhythm and melody, coupled with his deep knowledge of classical and experimental music, made him a true pioneer of free jazz. And his 1970 live album, In East-Berlin, is widely considered one of the finest examples of his artistry.

But what makes In East-Berlin such a remarkable album? What are the standout songs, and what makes them so special? And is the album still relevant and fresh to today's listeners? In this blog post, we'll take a closer look at In East-Berlin, with a brief history of the artist, an overview of the music genre of the album, and an in-depth analysis of its most innovative parts. Whether you're a lifelong jazz fan or simply curious about this unique form of music, you won't want to miss this critical review of a jazz classic.

First, let's discuss the history of Cecil Taylor. Born in New York City in 1929, Taylor was raised in a culturally rich and diverse environment that helped fuel his passion for music. He received classical piano training as a child, but as he grew older, he became increasingly drawn to the improvisational and experimental aspects of jazz. In the 1950s, he formed his own ensemble and began recording and performing extensively. Throughout the 1960s and 70s, Taylor continued to push the boundaries of jazz, experimenting with new forms and sounds and collaborating with other avant-garde artists. In East-Berlin was recorded during a European tour in 1988 and showcases his unique approach to piano playing at its best.

The music of In East-Berlin is firmly rooted in free jazz, a style of music that emerged in the late 1950s and early 1960s as a rejection of established jazz traditions. Free jazz prioritizes individual expression and spontaneity over conventional structures and melodies, emphasizing collective improvisation and intense emotional energy. In East-Berlin is a perfect example of this style, featuring long, sprawling compositions that showcase Taylor's virtuosity and skillful interplay with his bandmates. The album is a live recording, capturing the raw energy and excitement of a live performance in front of a passionate audience.

One of the standout tracks on In East-Berlin is Erzulie Maketh Scent, a 22-minute epic that perfectly exemplifies Taylor's unique style. The piece begins with a slow, mournful melody that gradually builds in intensity, with Taylor's dazzling pianism providing a constant counterpoint. As the song progresses, the rhythm becomes more complex, with drummer Tony Oxley and bassist William Parker pushing Taylor to new heights. Erzulie Maketh Scent is a truly stunning piece of music, showcasing the raw power and beauty of free jazz.

Another notable track on the album is Streams and Chorus of Seed, a more introspective and contemplative piece that showcases Taylor's skillful use of space and silence. The song begins with a simple, repeating melody, which gradually transforms into a complex web of interlocking rhythms and melodies. As the song progresses, the tension builds and builds, until it finally reaches a crescendo of explosive energy. Streams and Chorus of Seed is a masterclass in tension and release, highlighting Taylor's innate sense of dynamics.

But what makes In East-Berlin truly innovative is not just the individual tracks, but the album as a whole. Taylor and his bandmates create a sense of collective improvisation that is truly unique, with each musician constantly responding and reacting to the others. There is a sense of constant communication and collaboration that transcends conventional song structures, leading to complex and dynamic musical conversations. In East-Berlin is not just a collection of songs; it is a living, breathing organism, constantly evolving and changing in real time.

Cecil Taylor's In East-Berlin is a true masterpiece of free jazz, showcasing the immense talent and creativity of one of the genre's greatest pioneers. From the complex rhythms and melodies to the explosive energy and emotion, this album is a testament to the power of collective improvisation and individual expression. While it may not be the easiest or most accessible piece of music to listen to, it is a deeply rewarding and unforgettable experience for those who are willing to take the journey. Whether you're a die-hard jazz fan or simply curious about the boundaries of musical expression, In East-Berlin is an album that demands your attention and respect.