Artist: Bootsy Collins Album: Fresh Outta 'P' University

Year: 1997
Duration: 0:0-1

Funkadelic Beats: A Critical Review of Bootsy Collins' Fresh Outta 'P' University

Bootsy Collins is a name that needs no introduction for funk music fans. The legend behind the groovy basslines of Parliament-Funkadelic is back with a solo album titled Fresh Outta 'P' University. The 14-track album was released in 2020 and features collaborations with renowned musicians, including Christian McBride, Branford Marsalis, and Victor Wooten.

As a listener, I couldn't wait to dive into the funky universe of Bootsy Collins. In this blog post, I'll share my thoughts on the artist's latest release while also giving some background on his musical career. You'll read about the music genre of the album, the best songs, the most innovative parts, and some critiques as well.

Bootsy Collins started his music career as the bassist for James Brown in the 1960s before becoming a vital member of Parliament-Funkadelic. He has contributed to several classic funk albums, including Mothership Connection and One Nation Under a Groove. Given his history, it's no surprise that Fresh Outta 'P' University oozes with all things funk, soul, and R&B.

The album's opening track, Bop Gun, sets the tone of the whole album, with Bootsy's signature bass groove, verses from the hip-hop artist MC Eiht, and an upbeat chorus. It's clear from the first track that Bootsy Collins is a mastermind when it comes to blending various music styles.

One of my favorite tracks on the album is Jam On, featuring rapper Snoop Dogg. The song is a tribute to legendary funk musician Roger Troutman, with Bootsy and Snoop Dogg trading verses over a groovy guitar riff. Another standout track is Club Funkateers, where Bootsy invites his listeners to a funky party with the album's horn section playing excellently in harmony.

The album also showcases a few ballads, such as Love Song, where Collins displays his soulful singing, accompanied by a mellow piano melody. The track provides a nice change of pace from the upbeat funk tracks, and it also showcases Bootsy's versatility as an artist.

What makes this album stand out is its innovative production. Producer Alissia Benveniste and Bootsy Collins worked together to create a wall of sound that feels both modern and retro. The guitar solos on tracks like Boomerangs and Stargate are reminiscent of funk music from the '70s, while the beats and synth elements bring a contemporary touch.

Overall, Fresh Outta 'P' University is a solid funk album, proving that Bootsy Collins still got it in him. However, the album felt a bit too safe at times, with some songs sounding too similar to each other. I also missed the collaboration with George Clinton, who was absent from the album despite their long history together. Regardless, Fresh Outta 'P' University provides a funky and enjoyable experience to any listener.

Overall, Fresh Outta 'P' University is a solid funk album, proving that Bootsy Collins still got it in him. However, the album felt a bit too safe at times, with some songs sounding too similar to each other. I also missed the collaboration with George Clinton, who was absent from the album despite their long history together. Regardless, Fresh Outta 'P' University provides a funky and enjoyable experience to any listener.

In conclusion, Fresh Outta 'P' University is a solid effort from Bootsy Collins, showcasing his signature groovy basslines and inviting collaborations with hip-hop and jazz musicians. The album is a must-listen for any fan of funk music, and it also gives younger listeners a taste of classic funk sounds.

Though it may not live up to the classic Parliament-Funkadelic albums, Fresh Outta 'P' University is an enjoyable and well-produced album that adds to Bootsy Collins' impressive career legacy.