Artist: Burnt Friedman & The Nu Dub Players Album: Can't Cool

Year: 2003
Duration: 0:0-1

A Deep Critical Review of the Album Can't Cool by Burnt Friedman & The Nu Dub Players

Dub music has been around for over 50 years and has undergone various transformations, adaptations and fusions. Burnt Friedman & The Nu Dub Players are one of the contemporary dub outfits that have taken up the mantle of evolving this ever-changing genre. Their album Can't Cool is a fine example of their musical prowess. In this critical review, we'll take a look at the brief history of the artist, the music genre of the album, the best songs of the album, the most innovative parts and a critic to the album.

Burnt Friedman is a German producer, drummer and a sound artist. He has been active in the music world since the late 90s, and his musical style can be described as avant-garde, experimental, and non-conventional. He has collaborated with various artists over the years, including Jaki Liebezeit, Hayden Chisholm, and Daniel Dodd-Ellis. The Nu Dub Players, on the other hand, is a collective of musicians that include Hayden Chisholm, Joseph Suchy, Tim Motzer and Dodo Nkishi who features on various tracks on the album.

The Can't Cool album is a blend of electronic, percussion and dub elements. The album consists of five tracks that are long and winding, taking the listener on a musical journey that is both complex and beautiful. The first track Acroagnosis is a hypnotic mix of percussion and electronic soundscapes. The use of various percussion instruments, ranging from bongos, maracas, cowbells, adds an organic feel to the piece, while the electronic elements add a futuristic vibe to the track.

The second track, Intrication, is a seven-minute piece that features haunting trumpet melodies. The track starts with a slow, meditative beat, which gradually builds to a complex and layered sound. The trumpet lines, played by Hayden Chisholm, are the standout feature of this track. They are soulful, evocative and take you on an emotional journey.

The third track Cycles is a dub-heavy track that features Dodo Nkishi on vocals. The track has an infectious groove that makes you want to move your body. The bassline in this track is the most prominent feature, and it blends seamlessly with the percussion and electronic elements.

The fourth track Cease to Matter is a slow atmospheric piece with a melancholic feel. The track features Hayden Chisholm on saxophone, and his playing adds a sense of longing and introspection to the piece. The track is a departure from the heavy dub elements of the previous tracks, and it serves as a breath of fresh air.

The fifth and final track Languish, is a beautiful and introspective piece, featuring Joseph Suchy on guitar. The track is a slow build with each musical element coming in one at a time. The guitar playing is emotive and soulful, and it takes center stage in this track.

In conclusion, Can't Cool by Burnt Friedman & The Nu Dub Players is an album that pushes the boundaries of what dub music can be. The use of electronic and experimental elements, as well as the masterful use of percussion, creates a sound that is unique and compelling. The standout tracks on the album are Intrication and Cycles, with Hayden Chisholm's trumpet playing and Dodo Nkishi's vocals being the highlight of the respective tracks. The album is not for everyone, and some may find it challenging to listen to due to its complexity. However, for those who take the time to listen, Can't Cool is a masterpiece of contemporary dub music.