Why Boogie Down Productions Should Stick to Rockin' and Rollin'

If you recognize the name Boogie Down Productions, then chances are that you know them from their hits like “My Philosophy, South Bronx, and Criminal Minded. But if you’re looking for an album with hard-hitting beats, deep lyrics, and revolutionary politics, then you’ll have to look beyond Bobby D's work. While Boogie Down Productions put out some catchy tunes in the '90s, their music (and persona of KRS-One) is often less than impressive when it comes to substance. Read on while I dive into why this legendary hip hop act should stick to good old fashioned rockin' and rollin'.

If you're a fan of old-school hip hop, chances are you're familiar with Boogie Down Productions. Their hits like My Philosophy, South Bronx, and Criminal Minded have become classics in the genre. However, if you're looking for an album that combines hard-hitting beats, thought-provoking lyrics, and revolutionary politics, you might be disappointed with what KRS-One and his crew have to offer. In this blog post, we're going to dive into why Boogie Down Productions should stick to good old-fashioned rockin' and rollin'.

Let's start with the most obvious reason - the lack of depth in BDP's lyrics. While tracks like My Philosophy and South Bronx gave us a glimpse into KRS-One's worldview, they were often shallow and repetitive. Throughout their career, BDP relied heavily on bragging about their skills and dissing their competitors, without adding much substance to the discussion. In contrast, other artists of the era, like Public Enemy and N.W.A, tackled issues like police brutality, racism, and poverty in their music, offering a much-needed voice of dissent in a turbulent time.

Another issue with Boogie Down Productions is their inconsistency in production quality. While they had some undeniable bangers, like The Bridge Is Over and Jack of Spades, their albums often fell short in terms of cohesive beats and overall sound. Some tracks were overproduced, with unnecessary sound effects and gimmicks, while others felt underdeveloped, lacking in complexity and depth. In comparison, their contemporaries like Run-DMC and LL Cool J were masters of their craft, consistently pushing boundaries in terms of sound and production.

One of the most significant shortcomings of Boogie Down Productions is their tendency to recycle beats and lyrics from earlier tracks. It's a common practice in hip hop, but it becomes a problem when it happens too often and too blatantly. For example, the beat from Poetry appears again in Why Is That? without much change. Similarly, KRS-One often reused lines from previous tracks, making his music feel repetitive and unoriginal. This lack of creativity and innovation makes it hard for fans to stay engaged with the music and appreciate it as a genuine artistic expression.

Lastly, let's talk about KRS-One's persona and controversial statements. While he has been hailed as a pioneer and an intellectual in hip hop circles, his actions and statements often contradict this view. He has made comments supporting homophobia, victim-blaming, and conspiracies, which have rightfully sparked outrage and criticism. While an artist's personal beliefs do not necessarily reflect their art, KRS-One's statements have made it harder to separate the two and enjoy his music without a sense of unease.

Boogie Down Productions was undoubtedly a significant force in hip hop's early years, spearheading the movement with their catchy beats and aggressive flows. However, as we've seen, their music lacked the depth, consistency, and innovation that characterizes the best of the genre. While fans of BDP may argue that their music is still enjoyable and relevant, it's clear that their legacy is better left in the past. In today's hip hop landscape, we need artists who are willing to push boundaries, challenge norms and speak truth to power. Boogie Down Productions had their time in the sun, but it's time to move on and let new voices take the stage.