Getting to Know Crash Course in Science: A Musical Biography

If you're a fan of experimental and avant-garde music, then you've probably heard of Crash Course in Science. This American electronic band was formed in 1979 in Philadelphia by Dale Feliciello, Michael Zodorozny, and Mallory Yago. Despite only releasing two official albums throughout their career, Crash Course in Science has left a remarkable impact on the music world with their unique sound and style. In this article, we'll take a closer look at the origins of Crash Course in Science, their most famous works, and what makes them such a notable force in experimental music.

Crash Course in Science began as a trio of college students who shared a love for electronic music. They were heavily influenced by the DIY punk and new wave scenes that were emerging in Philadelphia at the time. In fact, many of their early performances took place in unconventional spaces like art galleries and abandoned buildings. Their first EP, Cakes in the Home, was self-released in 1980 and showcased their distinctive blend of post-punk rhythms, lo-fi electronics, and spoken word vocals.

One of the defining characteristics of Crash Course in Science's music is their use of homemade instruments and circuit-bent electronics. They were notorious for modifying toy keyboards and other sound-making devices to create their distinct soundscapes. This ingenuity can be heard on tracks like Cardboard Lamb and Kitchen Motors, which feature a jarring mix of metallic clanks, robotic blips and bloops, and distorted vocals. Their live shows were also known for their unconventional props and visuals, with the band members incorporating items like power tools, surgical masks, and plastic tubing into their performances.

While their debut EP received critical acclaim, it wasn't until their first full-length album, Near Marineland, that Crash Course in Science reached a wider audience. Released in 1981, the album featured some of their most well-known tracks such as Flying Turns and Crashing Song. Flying Turns in particular became a club hit across Europe, with its infectious bassline and catchy chorus. The album as a whole received praise for its unique sound and experimental approach to electronic music.

Following the release of Near Marineland, Crash Course in Science went on hiatus before re-forming in the 90s and releasing a second album, Jump Over Barrels, in 1999. While not as commercially successful as their debut, the album still featured the group's trademark sound and experimentalism. Their influence can be heard in the work of many contemporary artists across a variety of genres, from electronic to indie to hip hop.

Crash Course in Science may not have had a mainstream breakthrough, but their experimental spirit and unique sound have left an indelible mark on the music world. By reimagining what electronic music could be and pushing the boundaries of DIY experimentation, they paved the way for countless artists to come. Whether you're a fan of post-punk, electronic music, or just appreciate outside-the-box artistry, Crash Course in Science is well worth a listen.